Icarus Theatre’s production of Walden currently playing in the Theatre Centre’s BMO Incubator is an intimate and intricate presentation of a bold and inspiring text. Amy Berryman’s script (here receiving its Canadian premiere) is my favourite kind of script, one that is accessible and enjoyable on a blind first viewing but also makes me […]
The Author Spotlight Series shines a light on writers creating heartfelt and original work across genres, giving them an opportunity to talk about their books and why they do what they do. Click Here to follow the series as it progresses. To submit an author for consideration, email editors@myentertainmentworld.ca. … “Léa Taranto is a disabled […]
Director/adaptor Fiona Sauder has always taken kids really seriously. Or, rather, she takes them at least as seriously as she takes adults. Probably more. As a result, she might be the most reliable creator of quality theatre for young audiences I’ve encountered in my career. Her work never takes kids’ attention for granted but neither […]
The Shaw Festival has had some notable success in recent years with British farce. It’s a good fit for the festival- quick and physical and light while fitting squarely into the mandate that can otherwise sometimes be a bit stiff. But, like tap dance musicals before it, farce has become a bit of a crutch […]
Reuniting the core team from 2024’s One Man, Two Guvnors, this goofy mistaken identity romp is yet another well-executed bit of nonsense that serves a very specific purpose in moderation. Designer Michael Gianfrancesco’s set is so expansive and detailed that you’d swear the Shaw had an infinite production budget. Seven entrances, some hidden some […]
The day before I was scheduled to see Guys & Dolls, I saw two productions back to back that were huge bummers- bad, sort of sad, wildly boring. When lamenting that horrible no-good very bad day, my spirits never fell too far because I knew the next day was Guys & Dolls. A girl needs […]
A swift kick of theatrical intensity, this lean one-act from playwright Adrienne Kennedy receives a calmly unadorned production that stands out for its impact in a lighter-than-average Shaw season. The play is functionally a solo show starring the ever-reliable Sophia Walker as an author guest lecturing at her titular alma mater. While André Morin is […]
Waiting for Godot is a frustrating one for me because, unless something goes really wrong, it’s a pretty standardized piece of theatre. Beckett is famously a dictator with stage directions and design instructions, his estate keen to sue if you make too many creative decisions of your own, so the interpretive work of Godot tends […]
