Twelve years in the making, Susanna Fournier’s take rimbaud is heartfelt, engaging, thoughtful, entertaining, and continuously funny. The stage juts out into the centre of the room, with the audience kiddie corner along two walls. This means the action happens along two sides of the stage, and the result was more effective than I’d […]
A perfect blend of comedy and horror, cicadas leaves you laughing, guessing, tensing and thinking at every turn. The real estate market is tough and not just now but in 2032 when our story in cicadas takes place. Tough enough that our protagonist couple Janie (Monica Dottor) and Trim (Ryan Hollyman) end up picking […]
Writer/director Andrew Kushnir’s latest self-referential verbatim project presents his signature style at its complex, emotional best. Docutheatre has a tendency to fall into reporterly coldness as the research-heavy genre often tells stories involving investigations and the dialogue is spoken exactly as originally uttered by the real life characters rather than translated through a playwright’s […]
Jen Silverman’s wild and wonderful take on Brontë-style gothic drama is currently onstage in a riotous new production at the Theatre Centre Incubator. Directed with a bold voice and a light touch by Bryn Kennedy, The Moors is a triumph that dashes expectations at every turn. Silverman’s text is anarchic and inventive while faithfully […]
The musical version of the seminal Jim Steinman/Meat Loaf album Bat Out Of Hell is a marvel of ridiculousness. The book (Steinman), direction (Jay Scheib), and design (Jon Bausor & Meentje Nielsen with tour updates to the set by Ed Pierce) are some of the worst in the history of the form but, dammnit, the […]
Last weekend was Toronto’s annual Comicon. I say annual but it’s really bi-annual as FanExpo, the company that runs the event, runs another weekend (appropriately titled “FanExpo”), also at the Metro Toronto Convention Centre, that resembles Comicon in nearly every way except that it’s about three times the size (45,000 attendees vs 135,000, roughly). […]
The National Ballet of Canada is kicking off their 2026 with a lean and impactful double bill. The evening begins with Serge Lifar’s Suite en Blanc, a visual feast and grand celebration of the company’s large corps. The stark white on black design and unique formations of this classical piece are an elegant treat […]
Théâtre Motus’ Tree is a beautiful introduction to live performance designed for the enjoyment of six-months to three-year-olds with a special eye to accessibility for neurodivergent children. I brought my nine-month-old to the show for his first experience as a live theatre audience member (thanks to Cineplex’s Stars & Strollers program, he’s well versed with the […]