Much as I appreciate the founding principles behind “Winter at the Young”, it hasn’t lived up to its potential really at all. Considering the consistent strength of The Young Centre’s principal resident Soulpepper (which shares it’s Artistic Director with The Young Centre) and the great and/or decent success of its annual showcases The Global Cabaret […]
Tarragon’s current Extra Space offering is a sure-thing. They’re a Canadian playwright’s theatre and Hannah Moscovitch is a wonderfully talented, totally accessible, widely produced, generally beloved Canadian playwright who just happens to be Tarragon’s current playwright-in-residence, so a double bill of her newest one-acts is not only a smart decision artistically, it’s one perfectly in-brand […]
The first thing you need to know about my relationship with Martin Sherman’s astounding play Bent is that it was one of the last things I saw performed before I created My Theatre (then a standalone website, now a branch of this one). In June 2009 I saw a truly brilliant production at Ryerson’s Abrams […]
Veda Hille & Bill Richardson’s original song cycle Do You Want What I Have Got? A Craigslist Cantata (playing until March 3rd at Toronto’s Factory Theatre) is a hilarious and inventive journey through the craziness of our internet culture. Using real Craigslist postings for fodder, the piece is absolutely nuts but also relatable in a completely […]
I don’t like electronic music. You can call it house, electronica, dance, synth, trance, or whatever else you want. The point is, it’s just never been something that appeals to me. As a result, when somebody brings up Daft Punk, the two things the pop up in my head are a cartoon music video with […]
Two of the best productions currently running on Toronto stages share the unique bond of being ballsy enough to tell a beloved play’s story from a different angle. A practice that’s inescapably commonplace on television and often even in film and literature, the spinoff is far from a regular occurrence in theatre. The most famous […]
I am not the person to talk about Necessary Angel’s current production of 4.48 Psychosis. Abstract, poetry-driven contemporary theatre is not my cup of tea to begin with, but more than anything I say I’m not the person for this task because 4.48 Psychosis is a deeply personal piece about a woman whom I never […]
Warning. Both this show and this review are heavily experiential. I was just thinking the other day how much I miss those long gone days of university productions that were staged professionally, but with the much-needed energy and liveliness that fresh and ambitious minds can bring to live theatre. I’ve been a bit bored […]