Wintersong: Dances for a Sacred Season is a celebration of both dance and the North’s winter solstice, a time of introspection as the nights grow longer and we prepare for the cold weather ahead. Each individual piece spoke to an aspect of the solstice from the perspective of the choreographer, beautifully performed by the young […]
Holiday! (Bad Dog at The Assembly Theatre) I made it out to Bad Dog Theatre Company’s Comedy on Queen Festival at The Assembly Theatre for one night only, to see an improvised musical based on Sondheim’s Company. With a rotating cast featuring more than a few favourites, I knew it wasn’t one I wanted to […]
I stole the title of this article from one of the productions I’m reviewing within it. It’s a great title that hits perfectly on the unifying theme of the many plays I’ve seen this week. I hope they don’t mind my stealing it. Angels in America (That Theatre Company in association with Buddies in […]
Chaos Menu: Disorder Up! (The Second City) The latest revue from Toronto’s Second City brings in four very strong new cast members to join returnees PHATT Al and Andy Assaf in a very silly crowd pleaser of a show at the comedy giant’s fabulous new space. I’m that weirdo who likes a little sadness in […]
My love of the National Ballet of Canada started when I saw them dance Onegin. It was a very different company back in 2010 when this production made its debut with Santo Loquasto’s rich and moody redesign and the starriest of all-star casts for opening night, but the Onegin magic is alive and well even […]
The opening production of The National Ballet of Canada’s 2023/24 season pairs two short ballets about passion. Ironically, it’s Passion that is the least passionate of the pair, feeling disjointed and overly busy. The world premiere of Emma Bovary, on the other hand, is a cohesive triumph that led me and my guest to turn to each other towards […]
A Poem for Rabia (Tarragon Theatre) Spanning three continents and three generations, Nikki Shaffeeullah’s world premiere currently on stage in the Tarragon Extraspace is an intimate epic full of big ideas. The capable cast performs an exceptional array of accents- some executed with precision and nuance, others less successful- as they each take on multiple […]
The historic Campbell House is creaking open its doors for another seasonal romp. Based on Edgar Allan Poe’s Tales of the Grotesque and Arabesque, this production – like the Netflix series bringing some of Poe’s collected works to a new medium this spooky season – centers around the ill-fated House of Usher. Audience members are […]