Writer/director Andrew Kushnir’s latest self-referential verbatim project presents his signature style at its complex, emotional best. Docutheatre has a tendency to fall into reporterly coldness as the research-heavy genre often tells stories involving investigations and the dialogue is spoken exactly as originally uttered by the real life characters rather than translated through a playwright’s […]
There are few modern innovations as inspiring as National Theatre Live. Broadcasting high profile stage productions into movie theatres is an astounding arts accessibility measure that knocks hoity toity work right off its pedestal and brings it to actual audiences regardless of their location or disposable income (see also: PBS Great Performances; irreplaceable). It’s downright […]
Jen Silverman’s wild and wonderful take on Brontë-style gothic drama is currently onstage in a riotous new production at the Theatre Centre Incubator. Directed with a bold voice and a light touch by Bryn Kennedy, The Moors is a triumph that dashes expectations at every turn. Silverman’s text is anarchic and inventive while faithfully […]
The musical version of the seminal Jim Steinman/Meat Loaf album Bat Out Of Hell is a marvel of ridiculousness. The book (Steinman), direction (Jay Scheib), and design (Jon Bausor & Meentje Nielsen with tour updates to the set by Ed Pierce) are some of the worst in the history of the form but, dammnit, the […]
If you missed Some Like It Hot, there’s another Prohibition-era musical currently playing at Theatre Passe Muraille—and it might be even hotter. Long before Canada’s Come From Away achieved international acclaim, The Drowsy Chaperone (book by Bob Martin and Don McKellar, score by Lisa Lambert and Greg Morrison) began as a 1999 Toronto Fringe hit, […]
It Could Still Happen is a company that grounds itself in such values as exploration, embodiment, and taking one’s time during a creative process. And so it’s not a surprise that The Herald still has a work-in-progress vibe as it begins with writer and director Jill Connell emerging, carrying their own podium amidst a fog […]
A Mirror by ARC (“Actors Repertory Company”) is narratively one of the best stories I have seen so far this theatre season. In no small part because of the twists and subversions of dramatic structure that occur that honestly need to be experienced for the first time like I did with little to no prep. […]
The National Ballet of Canada is kicking off their 2026 with a lean and impactful double bill. The evening begins with Serge Lifar’s Suite en Blanc, a visual feast and grand celebration of the company’s large corps. The stark white on black design and unique formations of this classical piece are an elegant treat […]