Soulpepper and Bad Hats Theatre’s Alice in Wonderland (available to stream at home until Sunday, April 18) is a welcome detour into a world no more absurd than our own. Lewis Carroll’s classic is an ideal canvas for a creative mind – a story so popular that even this young audience will know it well […]
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Nominated for her third Critics’ Pick Award, the versatile and engrossing Vivien Endicott-Douglas joins the Nominee Interview Series to discuss her multi-character Outstanding Leading Performance in a Play-nominated turn in Charlotte Corbeil-Coleman‘s stunning prison drama Guarded Girls, […]
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. The daughter of an actor and a critic, playwright Charlotte Corbeil-Coleman burst onto the Canadian theatre scene at an impossibly young age with her critically beloved play Scratch. She won the Dora in 2019 for her […]
In the span of 3 hours, you get six calls. Six calls ranging about ten minutes. Some of these calls you may interact in and some you may just listen. This is your theatrical experience. Theatre delivered over the phone to you. Stories created for this time of shutdown and distancing delivered to your designated […]
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present…
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. I’m not sure what there is to say about Kat Sandler that I haven’t said a hundred times before. She’s charming and witty and prolific and writes fast-paced, enjoyable plays that sneak up on you with […]
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our…
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Michael Ross Albert is one of my favourite playwrights full stop; the fact that he’s local, indie, and extremely prolific is just a bonus. His Best New Work-nominated play The Huns, a blistering three-hander about a […]
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual …
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Jake Epstein is a Toronto-born actor and singer whose work has ranged from iconic Canadian TV (Degrassi: The Next Generation) to the Broadway stage (taking over the titular role in the much-written about Spider-Man: Turn off the […]
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. One of my favourite productions out of the 2019 Toronto Fringe Festival was Gillian Bartolucci’s Outstanding Solo Performance-nominated one woman sketch show The Weight of it All. Beautifully constructed with a perfect blend of high-octane fun, clever […]
After a stellar workshop presentation at the 2017 Fringe, BRAIN STORM returns to Toronto with its world premiere at the intimate Dancemakers Studio Theatre. An innovative performance, BRAIN STORM is a ghostly mix of dance, projection, and text that leads us through a young woman’s day-to-day, post-brain injury. The layers of performance—from non-verbal expressions, to versatile […]
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present…
How to Fail As a Popstar… Is it a love letter or is it a break up song? After watching Vivek Shraya’s debut play, now playing at Canadian Stage’s Berkeley Upstairs Theatre, and mulling it over for the better part of a full day, I’m still not sure. I’m also not sure it really matters. […]
Theatre Centre’s Progress Festival is one of my favourite annual festivals in Toronto. The programming is always sharp and smart, bringing cutting edge international performances to the Queen West theatre. I was only able to see a few shows in this year’s festival; this represents only a sliver of the festival’s programming. CAFÉ SARAJEVO Café […]
Ellie Moon’s This Was the World, now playing at The Tarragon Theatre, Extra Space, endeavours to take on the notions of white privilege and white fragility, and does so unapologetically. It is a study of Professor John Taylor (R. H. Thompson). John is not your overtly racist uncle (or aunt/brother/cousin) that makes family dinners awkward. […]
Onstage at the inspiring Citadel + Compagnie, Kate Hilliard’s production of this happened… is personal, thoughtful, and dreamlike. The opening scene is striking and powerful, and the audience is pulled in and intrigued as the gestural movements begin to translate more and more into words, a conversation. Hilliard has gathered a group of wonderful artists […]
It’s Christmastime, which means that many people are either celebrating beloved family traditions or searching for some moderately pleasant activity the whole family can agree on. The solution Toronto’s commercial theatre producers are offering up is musical theatre. And not just any musical theatre- big, shiny, happy, mostly stupid but very nice Musical Theatre. The […]
Spur-of-the-Moment Shakespeare Collective’s annual Shakespeare in Hospitals gala is coming up very soon so we caught up with Artistic Director Victoria Urquhart to find out how this season’s show came to be, why the program is as crucial as ever, and how we can get in on the gala festivities. For anyone unfamiliar with the program, […]
Strong design elements and performances give Girl in the Machine,…
Tarragon Theatre has set up a wonderfully witchy opening to its autumn season. Leaves are turning, the air is cooling, and the fall season of theatre has begun. Onstage from September 17-October 27, Yaga is the perfect play to get those autumnal feelings flowing. We’re talking witches, murder, and powerful females, not pumpkin spice. Written […]
Both the best and worst thing about theatre, and indie theatre especially, is its ephemerality. Productions close so fast that you never have the time you need to tell every person you’ve ever met, and some you haven’t, that they have to see the show you just saw. And in the Toronto independent theatre landscape, […]
Shakespeare earned the right to phone it in. It was clear that even his less daring and promising works would be feted beyond their merits – anything bearing his name would get the benefit of the doubt when the same script by a lesser or less famous playwright would be passed over. More generously, any […]
I was so excited to find myself in Vancouver during the Fringe Festival this fall (it’s crazy that there are still Fringe Festivals happening once it’s officially “fall”). Having covered the Toronto leg of the epic Canadian indie theatre circuit for years, I was curious to see how things compared out on the west coast. […]
I was so excited to find myself in Vancouver during the Fringe Festival this fall (it’s crazy that there are still Fringe Festivals happening once it’s officially “fall”). Having covered the Toronto leg of the epic Canadian indie theatre circuit for years, I was curious to see how things compared out on the west coast. […]
805-4821 (A) “805-4821 is a trans coming out story made out of other stories: a dialogue from Shakespeare’s Hamlet, a half-remembered swim lesson, and an 80,000 word Facebook correspondence” This is how the promotional material introduces Davis Plett’s work, directed by Gislina Patterson. I added it to my roster expecting a show that could be […]