Kelly Bedard

Why We Tell Our Story Cabaret Marcus Nance absolutely killed it with the curation of this stirring celebration of Black voices. An inspired structure uses the work of iconic Black poets Langston Hughes and Maya Angelou rather than original writing to link together some of the most glorious songs from the musical theatre canon from […]

  Kelly Bedard

Toronto’s High Park is a theatre again. After only a few performances of socially isolated dance pieces last summer, Canadian Stage is back this season, not only filling their outdoor amphitheatre with its first real theatrical productions in two years but lending out the space to co-producers and collaborators for a season of programming that’s […]

  Alexander Franks

It is good to be fringing again! I first want to take this opportunity before I dive into the reviews to express my gratitude, respect and thanks to everyone involved with the Toronto Fringe this year from the artists to admin to box office just everyone. It has been a long and hard road adjusting […]

  Rachel Ganz

What Are You Supposed to Be? (All Day I Dream About…Theatre) What Are You Supposed to Be? is an experimental comedy currently running at the 2021 Toronto Digital Fringe Festival. As a collective creation, this piece explores a tense, mysterious conflict in a world of challenging characters. The story follows Leah, a novelty birthday party princess […]

  Rachel Ganz

In Transit (Von Hunt Productions)  In Transit is a contemporary dance film, presented as part of the 2021 Toronto Digital Fringe Festival. Creator, choreographer and performer Alayna Kellett has devoted years of research to this piece and it’s paid off in a robust work of graceful emotion. In Transit follows one woman’s imperfect path beyond […]

  Alexander Franks

In the span of 3 hours, you get six calls. Six calls ranging about ten minutes. Some of these calls you may interact in and some you may just listen. This is your theatrical experience. Theatre delivered over the phone to you. Stories created for this time of shutdown and distancing delivered to your designated […]

  Alisha Maclean

Ella Hickson’s OIL is a theatrical marvel that spans the lives of May (Bahareh Yaraghi) and Amy (Samantha Brown), a mother and daughter whose paths are steered by the equal parts wonderful and terrible force that is oil. Directed by ARC Artistic Producer Christopher Stanton, and Resident Artist Aviva Armour-Ostroff, this production is full of […]

  Amy Strizic

Les Ballets Trockadero has returned once more to Toronto, and we couldn’t be more excited. The crowd was a varied wonder on March 8, ranging from eager children, to professional dancers, to drag artists, and everyone in between. I had been one of those children growing up- ever since I saw my first Ballet Trockadero […]

  Dom Harvey

Every improv performer or fan has seen a troupe do the best they can with a weak or unpromising prompt. Moonstruck sidesteps that problem by drawing on the weird and wonderful world of dreams, quickly constructing a mini-universe and series of scenarios based on a wacky dream, nightmare, or something in between of an audience […]

  Duncan Derry

He appears suddenly, striding purposefully towards the corner of the stage and warily watching as the choir of thirty or so rehearse a piece under the direction of Claire (Raven Dauda). His presence is immediately unnerving – we know he’s going to do something terrible, but when, or what, and how will it involve these […]

  Alexander Franks

Now the fact I was wearing a heavy sweater probably added to this, but I exited out of The Runner (Human Cargo Productions, written by Christopher Morris) just absolutely sweating. I was exhausted by this play, but I would see it again and again. Directed by Daniel Brooks and the sole role of Jacob played by […]

  Thea Fitz-James

After a stellar workshop presentation at the 2017 Fringe, BRAIN STORM returns to Toronto with its world premiere at the intimate Dancemakers Studio Theatre.  An innovative performance, BRAIN STORM is a ghostly mix of dance, projection, and text that leads us through a young woman’s day-to-day, post-brain injury. The layers of performance—from non-verbal expressions, to versatile […]

  Jack Graham

For those who enjoy booking a play without knowing anything about it, Us/Them may provide a shock. It did for an elementary school teacher in attendance. The subject matter was very close to home: Us/Them tells the story of the 2004 school siege in Beslan, Russia, when hundreds of children, mothers and grandmothers were killed. […]

  Dom Harvey

Inside Box 4901 are some very different missed connections. Novelist Brian Francis makes his debut as a playwright and performer with a look back at a time when it was much harder to be himself. In 1992, as a young student with one foot still in the closet living in a straight house in a […]

  Kymberley Feltham

Red Sky Performance’s AF is true to brand a force of nature. The rhythm is urgent, the energy is youthful, and the choreography showcases the athleticism of the dancers. The driving beat of the vocals and percussion carries an urgent intensity throughout the work, with the dancers using percussive movements heavily influenced by locking and […]

  Alexander Franks

You ever fallen up the stairs before? I don’t know why but I feel more foolish when I fall going up the stairs then I do when I fall down the stairs. You see if you fall down the stairs at least it’s like gravity doing it’s natural part taking you down. But stairs are […]

  Jackie Houghton

How to Fail As a Popstar… Is it a love letter or is it a break up song? After watching Vivek Shraya’s debut play, now playing at Canadian Stage’s Berkeley Upstairs Theatre, and mulling it over for the better part of a full day, I’m still not sure. I’m also not sure it really matters. […]

  Kelly Bedard

Lin-Manuel Miranda’s Hamilton is the smashiest smash hit to ever smash on Broadway and it has subsequently inspired a cult-like devotion that strains the limits of the word “cult-like” (the intensity is there but the breadth of the fandom defies limitation). It’s a consensus masterpiece- a dense, inventive, skillful revolution of form cheekily set against the […]

  Dom Harvey

Hannah Moscovitch’s Secret Life of a Mother is a raw and compelling portrait of the darker side of motherhood – one rarely acknowledged in polite conversation, forcing the arts to shoulder the burden of challenging these long-standing taboos. Moscovitch herself is the titular mother but the lead in this one-woman (but many-women) show is Maev […]

  Amy Strizic

The Canadian Opera Company designed a playful Winter Season…

  Thea Fitz-James

Theatre Centre’s Progress Festival is one of my favourite annual festivals in Toronto. The programming is always sharp and smart, bringing cutting edge international performances to the Queen West theatre. I was only able to see a few shows in this year’s festival; this represents only a sliver of the festival’s programming. CAFÉ SARAJEVO Café […]

  Jackie Houghton

Ellie Moon’s This Was the World, now playing at The Tarragon Theatre, Extra Space, endeavours to take on the notions of white privilege and white fragility, and does so unapologetically. It is a study of Professor John Taylor (R. H. Thompson). John is not your overtly racist uncle (or aunt/brother/cousin) that makes family dinners awkward. […]

  Mark Kreder

A few days before going to see Shakespeare BASH’d’s production of Cymbeline, an article title flashed before my eyes as I scrolled through my Facebook feed, “Can Shakespeare still surprise?” Coincidentally, the post had come from Shakespeare BASH’d’s Facebook page, and as I was just about to watch the show, I chose to bypass the […]

  Mark Kreder

What do you get when you combine sharply written dialogue, deft direction and an all-star ensemble? Coal Mine Theatre’s production of Marjorie Prime. In 90 minutes, I was taken on a journey that challenged the way I perceived the world around me, my relationships and my ideals. For me, it was Nick Blais’ lighting design […]

  Alexander Franks

All right I’ll be honest. Did every time I describe the show I was seeing tonight, did I use the phrase, “Figaro! Figaro! Figaro!” Yes, I did. For one, it is the one of the most iconic parts of the show so easily quotable and it is impossible to sing it without smiling. Go ahead […]

  Alexander Franks

Casimir and Caroline opens on a balcony. No…. more than that. The play opens on a balcony at a corporate office party while the heads of corporate are in fact up in the sky in a zeppelin.  Now have you ever actually really experienced a balcony at a corporate office party while the heads of corporate are […]