Bringing a historical figure to the stage can be difficult, mainly because there is never an inherent style or concept to pursue. That was the challenge Korean creators Seeun Choun and Jongyoon Choi took on with Marie Curie, now translated to English for its UK premiere, directed by Sarah Meadows. The result is a conventional, well-intentioned […]
Plays about memory work well when they are immersive and experiential – pulling you into the story, and evoking strong emotions. When crafted with additional finesse, they can even offer profound insight, leaving lasting impact. With Michael Batten’s Remembrance Monday, I was hoping for that something extra. It is a beautifully executed production, with committed […]
Obsidian’s production of seven methods of killing kylie jenner by Jasmine Lee-Jones finishes their 23-24 season at Crow’s Theatre on a strong note. Twitter, like many social media platforms, flattens out the three-dimensionality of users. This production, by contrast, breathes life into the world behind a series of seemingly violent tweets. Lee-Jones’ play tells […]
Medea (Canadian Opera Company) Set to a broody and demanding score by Luigi Cherubini with Carlo Zangarini’s Italian libretto translation, the COC’s ambitious new co-pro mines Euripides’ iconic tragedy for every ounce of its delicious melodrama and winningly rejects pressure to impose important modern meaning upon the disturbing tale. A twist ending that sees the […]
AI is a hot topic in contemporary theatre, but writers often stumble by relying heavily on dystopian motifs or portraying AI unrealistically as a mystical, all-knowing force. In his debut play Artificially Yours, Aaron Thakar (who also stars) avoids these pitfalls by grounding the story in a recognisable near-future, incorporating existing technological norms, and adopting a […]
Frank’s Closet may not have aspired to be groundbreaking, with its simplistic ‘music hall musical’ concept, but it is a fun, kitschy little show that became a cult classic in 2009 when it opened at Hoxton Hall. Fifteen years later, its revival at the Union Theatre feels less daring – its campness no longer that camp […]