Recent Posts

  Fabiana Cabral

SpeakEasy greeted 2017 by bringing the hot Broadway hit Hand to God to the BCA. Robert Haskin’s play about a young Christian boy and his possessed, twisted sock puppet buddy Tyrone is amusing, dark, and staged to great effect by director David R. Gammons. Jason (Eliott Purcell), wants to please his harried and bereaved mother, […]

  Anwar Ragep

Lawrence Dial’s latest play, DANNYKRISDONNAVERONICA should come with a warning: If you are contemplating having children, spending 90 minutes…

  Lisa McKeown

Nightwood Theatre’s Unholy stages a debate about whether you can be both religious and a feminist. Written by Diane Flacks and directed by Kelly Thornton, the production presents us with four women, two a side, arguing both for and against institutionalized religion. On the pro side, we have Yehudite, an Orthodox Jewish leader and mother, […]

  Kelly Bedard

Every conversation I’ve had about NBC’s afterlife comedy The Good Place to date has gone in pretty much the same direction. Other Person: Do you like The Good Place? Me: Yeah. It’s not blowing my mind but I like it. Other Person: The cast is good. Me: The cast is great. Other Person: I like […]

  Lisa McKeown

Kristen Thomson’s new play The Wedding Party opens not only the 34th season of Crow’s Theatre, but has the honour of being the inaugural production of the new Toronto theatre Streetcar Crowsnest. Those of us who have been to a few weddings (or a few dozen, as the case may be) will know that although the wedding […]

  Jordan Morrissey

It must be difficult basing a play around a group as well-known and held in such high esteem as the Marx Brothers while still retaining the sense of individual character that a standalone play offers. Such a concept can be an opportunity to investigate and explore the wider, metaphysical nature of its subject matter in […]

Thurgood, by George Stevens, Jr., is a celebratory overview of the extraordinary life of a civic-minded litigator…

  Lisa McKeown

The Magic Hour, created and performed by Jess Dobkin, is nothing less than pure delight from beginning to end. The audience is ushered into the upstairs lobby, where we are invited to hang up our coats and remove our shoes. Dobkin enters, wearing a dress made out of a burlap bag, greeting the audience at […]