*spoilers throughout* The second season of Rachel Bloom & Aline Brosh McKenna’s wacky, honest, fun, moving, groundbreaking, silly, progressive gem of a musical comedy moved fast. Really fast. Like, a full series worth of plot and character development in 13 episodes kind-of-fast. The ensemble was re-shuffled with one major character exit, one major character addition, and […]
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The Canadian Opera Company has been slogging through Wagner’s interminable Ring Cycle over the past three seasons. And I’ve been slogging through my reviews of said marathons of melancholy Germans singing about dwarves. The summary was always the same: the set is bonkers but impressive, the singers and orchestra are technically sound, no one is […]
The Winter’s Tale (Groundling Theatre Company) I’ve talked about this production before, focusing mainly on the problems that overwhelm the action of the first and last acts of this strangely dichotomous play. Sicilia is grey, over-dramatic, over-acted and full of unnecessary melisma but what I discovered upon a return trip (this time set against the lantern-lit […]
Liv Stein at Canadian Stage manages to achieve the strange combination of beautiful mediocrity. Nino Haratischwili’s play is about a couple, Liv and Emil, their angst over the loss of their son, and that aftermath of that grief. Liv (Leslie Hope) is a pianist, someone once renowned for her interpretations and performances of Rachmaninov but […]
Kate Hennig’s contemporary history play traces the story of King Henry VIII’s sixth and last wife, Catherine Parr (Kate) – beginning with his awkward and aggressive pursuit of her, her negotiation of their marriage (and sex life, which was pretty impressive), to Kate’s attempt to be both a mother and political advocate for Mary and […]
Dirty Great Love Story started as a 10-minute poetry duet featuring the two writers, Richard Marsh and Katie Bonna. It then went on to Vault Festival, Edinburgh Fringe and became a massive success in various theatres across the UK. Poetry in a play? I was reluctant, to say the least. It seems that every time we […]
The Summoning, by Charlotte Ahlin, is an ambitious slapstick three-person play with comedic moments that never quite becomes more than the sum of its parts. From the moment I sat in my seat and saw a giant pentagram chalked on the stage floor, I really wanted to like this play. As a fan of science […]