A very accomplished production of a show that boasts an utterly enchanting score, Floyd Collins is sophisticated, intriguing and beautifully performed with some truly breath-taking moments. It is clear that every detail of this carefully produced musical has been considered meticulously, with the piece emanating waves of meaning and feeling. Instantly you know you are in […]
Recent Posts
If it takes seven people to tell a story, you hope it’s a good story. Luckily, The Ritual Slaughter of Gorge Mastromas is a good story and a gripping performance. At the start of the production, the audience is tremendously confused. There is a guy named George who had bad luck in love and in life, but […]
Click Here to read previous instalments of Skinner Box Storytelling. Recently I’ve been playing Elite: Dangerous, a free-form space combat and trading simulator that is a modern update of a classic 80’s PC title. My dad’s enthusiasm for Elite and recent retirement from work has resulted in hour-long phone calls and emails full of screenshots […]
Noises Off Did we need another 70s-set backstage theatre farce mere months after Jitters? No. But Soulpepper’s production of Noises Off made me laugh louder and with more obnoxious uncontainable shrieks than anything else I’ve seen this year so I’ll welcome the repetition. Simon Fon’s fight and stunt work was still too careful and a […]
Adapting a novel for the stage is certainly no easy feat. Sacrifices and changes must be made to slim down what can be a lengthy and detailed narrative into a coherent, streamlined and more visual medium. The risk lies in the impact this conversion can have on the end-product, specifically whether what works on the […]
We live in a world that is full of people. We see some of them every day, we recognize the big names and the prominent celebrities, but we also face familiar individuals, people that interact with us on the interpersonal level, individuals who do not affect the world at large, but small parts, microcosms, samples […]
There are, or at least have currently been presented, two ways of tackling autism on a London stage, and this probably goes for other mental illnesses as well: a subjective and an objective approach. The subjective integrates symptoms into a play’s form; the objective doesn’t. The Curious Incident of the Dog in the Night-Time is […]
This new adaptation by Matthew Thomas Walker (who also directs) of Aldous Huxley’s dystopian masterpiece written 84 years in the past and set 524 years in the future is big and bold for a company only on its third project. The script is a little bloated, full of draggy exposition that could certainly be shown […]