When an actor leaves a long-running TV series before its natural conclusion, it’s generally not a good thing. Sure, there are some series so long-lived that turnover is not only inevitable but necessary (while it’s key that Grey’s Anatomy has held on to McDreamy, where would we be if George never left and Jackson never […]
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I’d been looking forward to the Nora Theatre Company’s production of Terry Johnson’s Insignificance at Central Square Theater for months. Two years ago, the company produced one of my favorite plays I’ve yet seen in Boston, Johnson’s Hysteria. That play, about a historical meeting between Sigmund Freud and Salvador Dali, was a wit-filled romp that […]
Before we announce the winners of the 2013 My Theatre Awards, we’re proud to present our annual Nominee Interview Series. Astrid van Wieren was everywhere in 2013 (and 2014, we saw her at Theatre Passe Muraille just last week!) and she’s always one of the best things about the productions she’s in. One such standout performance […]
I suppose my first question is this: do you guys think it’s weird for a straight girl to tune into Looking entirely because Jonathan Groff is just about the cutest thing ever to happen? Good, neither do I. I mean, it’s a little strange, perhaps, since the most recent episode featured him stripping off some […]
I’m too young for this. The Garry Marshall property I grew up with was Runaway Bride (and, later, The Princess Diaries) so you’ll excuse me if I have no idea who Joanie and Chachi are. That’s an overstatement of course; as one of those cartoonish people who honestly took a university course called “The History […]
Read Part I HERE. London Road (Canadian Stage) Alecky Blythe and Adam Cork’s verbatim musical is a strange beast. It tells a very docutheatre story in a very docutheatre way (which you know I’m not that into) but then incorporates another theatrical medium that stands generally on the complete opposite end of the spectrum […]
Factory Theatre martyr Ken Gass’ newest project, Canadian Rep Theatre, premiered its first production this month. Directed by Gass, Pacamambo is stunning, the first moment the audience is allowed into the theatre. A narrow, off-kilter-rectangle of an acting area is squeezed between two banks of audience seating and – right in the middle of everything […]
“Never start a story with a description of the weather. Nor end it with a marriage. The critics will kill you.” J.B. Heaps does neither in his compelling new one-act comedy Private Disclosures. There is a great deal of truth to that quote uttered by Preston Sherwood in Heaps’ play – the best plays are […]