I haven’t had much time to play this week, but I have been working my way through some Destiny content in a fireteam. It got me thinking about something I mentioned in last week’s article, about storytelling in multiplayer. Destiny While waiting for my friends to be ready, I came across the product page for […]
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Following its sell-out premiere at the Spitalfields Music Summer Festival, Sister is the latest production from Born Mad. It’s an experimental piece, using music and vocals to delve into the many aspects of family life and, particularly, the nature of sisterhood. Its two leads, Daisy Brown and Nia Coleman, present an anthology of different memories, […]
A few years ago, Bletchley Park became a minor academic obsession of mine. After discovering the code-breaking history of this British installation, I read everything about Bletchley that I could get my hands on, from books about the history of Bletchley and its hard-working inhabitants to Alan Turing’s biography and his paper on computable numbers. […]
Written and directed by SNL‘s recently promoted co-head writer Chris Kelly, Other People follows misanthropic struggling writer David (Jesse Plemons) in the final year of his mother’s life. We first meet Joanne (Molly Shannon in the performance of her career) applying makeup for a New Years Eve party that’s raging downstairs without her. She has […]
With such a small cast and situated within the intimate Trafalgar Studios, Vanities: The Musical relies strongly on its trio of female leads. Lauren Samuels, Ashleigh Gray and Lizzy Connolly certainly deliver deft and formidable performances as the central characters of Mary, Kathy and Joanne—a closely-knit group of friends who begin as peppy cheerleaders, only […]
All My Sons This Arthur Miller drama feels a-typical for the company that’s made its name on Shakespeare and its money on musicals. Though modern drama isn’t Stratford’s usual racket, Martha Henry’s smartly cast and emotionally wrought production might be the best thing at the festival this year (well, maybe second to Breath of Kings: […]
Second World War stories always seem to be crowd-pleasing, bringing in elements of tragedy, violence, treason and, in this case, …
Who knows where it’ll go but the pilot of ABC’s new sitcom Speechless was one of the strongest comedy debuts I’ve seen in ages. Simultaneously championing inclusion and skewering those who loudly champion inclusion, the latest from producer Scott Silveri is a delightful middle finger to hypocrisy while also serving simply as a fun family […]
