The opening monologue, performed off-stage and possibly prerecorded, brews the promise of a ‘neo-noir fever dream’ into a disgustingly tactical succession of phrase. Its programme says the show ‘changed from a fiction wrapped in a concert to a concert sprinkled with words.’ That’s true. There are now only two worded segments among a relentless soundscape, […]
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The Good Place is an apt name for NBC’s new sitcom. The Great Place would a little too enthusiastic, but it’s certainly better than The So-So place. The Good Place has a unique, interesting premise, a delightful cast, and some hilarious one-liners. The titular Good Place is the afterlife. In this show’s lore, every […]
Bad New Days recently premiered their intriguing double bill Italian Mime Suicide & Three Red Days at The Theatre Centre. Both pieces take on a physical approach to delve in to the complex topic of politics and art, using mime. The absence of words to clutter our minds presents an opportunity to focus closer on […]
Theatre about TV, created by theatre producers, produced by TV creators, staged like theatre on a TV stage, shot like TV to be seen as theatre- this is the contradiction that is Late Night, the latest from writer/director Kat Sandler and her indie hit-making company Theatre Brouhaha (executive produced by ZoomerLive’s Moses Znaimer). Sandler’s […]
Trayvon Martin’s death marks one of the most significant moments in the history of the hooded sweatshirt (henceforth referred to as a hoodie). The hoodie has been made to seem synonymous with Black American culture, but it’s also lent its stylings to thug culture, criminal culture, “badassery” culture and anonymizing culture. As an item of […]
Written by Jordan Tannahill, directed by Eric Brubacher and Cara Spooner, Concord Floral is currently opening Canadian Stage’s 2016-2017 season. To top it all off, just a few days ago, the play earned Tannahill a nomination for a Governor General’s Award. The play centres around Concord Floral, an old abandoned greenhouse in Vaughn nesting within […]
In one sense, it’s the ultimate indulgence to a craving no-one asked for. I don’t mean “ban experiment; bring on the potboilers”, I mean that this production feels irrelevant, and that irrelevance is compounded by the awkward pose of its prose. No’s Knife is an adaptation of Samuel Beckett’s obscure mini-tales, Texts for Nothing, and […]
I’ve never watched The Bachelor Canada but I am loving our first foray into the franchise’s tables-turned better half. The Bachelorette is the less skeezy, less catty, way more dreamy iteration of a guilty pleasure premise and a Bachelor cycle without a Bachelorette is simply not worth airing. Once the Canadian version of the show […]