Follies is, in one way, exactly what you might expect from a 1971 work by the noted musical dramatist Stephen Sondheim, in that it’s a true spectacle, with lyrics that bounce effortlessly off its superb score, and huge, colourful and bombastic set-pieces that leave the audience in awe. On the other hand, the latest revival […]
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So, you might not know Jennifer Hale’s name, but chances are you know one of her many, many voices. Perhaps most famous these days for her iconic role as Commander Shepard (lovingly known as FemShep for ‘Female Shepard’) in the Mass Effect trilogy, Hale has been in the voice game for a long time. To […]
Sitting down to Tim Curry’s first-ever audience Q&A, I was filled with both antici….PATION…
Sarah Marchand and Matt Jones have collaborated to write and create a theatre ASMR experience: the show incorporates elements of ASMR (in both performance and social media) while telling the story of a young woman battling insomnia and anxiety. If you haven’t heard of it, ASMR stands for Autonomous Sensory Meridian Response. It’s the soothing […]
I was really hard on the Stratford productions I didn’t like this year but it was actually a pretty strong season and the things that were good were Really good. This is them. Tartuffe Director Chris Abraham’s instinct to present classic texts in a contemporary setting is one of my top five favourite Chris […]
This was not my favourite season at The Shaw Festival. They had fewer bad productions than Stratford but they didn’t have as many great ones either. The best production of their season was a one-act playing sporadically at different venues, the second best a very limited run in the small studio space, then there’s a […]
In a really pretty strong Stratford season, these mostly good productions fell to the middle of the pack because other things were better, not because they were bad at all. These were Stratford’s mixed bag productions of the year- some polarizing (Bakkhai), some just generally medium (Romeo & Juliet) and the best recommendation I can […]
The thing to understand about the so-so list for The Shaw Festival this year is that they’re all pretty good productions; they mostly didn’t make the cut to be must-sees on account of the expectations game. All the over-promoted stuff of the year is on this list, the things that promised to be (had the […]
