There’s always at least one magnificent piece of work that just doesn’t fit into our annual awards, either because it stands head and shoulders above the rest of the work being done or because it’s simply so very different, incomparable. That’s what our yearly Honorary Awards are for. There’s one for each branch presenting awards: […]
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As a series, audiences were encouraged to view a type of Harry Morgan (James Remar) that was pure fantasy—a creation within the mind of Dexter. Upon the introduction of Dr. Vogel, we finally see actual recordings of Harry, who is a man that doesn’t have all the answers and who questions the experimental code he […]
The two most recent productions in Soulpepper’s 2013 season have been lively re-interpretations of texts that can only be described as classics. The first, Michael O’Brien and John Millard’s anachronistic take on Rossini’s The Barber of Seville, was a goofy romp-like good time and little more. The sublime pleasure of having the great Dan Chameroy […]
“What’s Eating Dexter Morgan?” opens with a sight gag—tricking audiences to believe that something awful has happened to Dexter’s son, Harrison. Our protagonist hears his son calling and walks through their condo, finding red footprints leading to the bathroom. Rather than blood, young Harrison is sitting with a tummy ache, surrounded by Popsicle wrappers. Deb, […]
I’ve spent a lot of time this summer in a movie theater. Scratch that. I spend a lot of time EVERY summer in a movie theater. So trust when I say that Pacific Rim, Guillermo Del Toro’s robots versus sea monster opus, is the quintessential summer movie. It starts with the overwrought narration, provided by […]
I have unrealistic expectations for Assassins. It is easily one of my favorite shows, falling behind only Into the Woods as my favorite Sondheim. I know how odd that makes me, as a person and a theatre aficionado, and I give you free reign to judge me. F.U.D.G.E. Theatre Company’s production of Assassins has some […]
The second season of HBO’s loved and loathed Aaron Sorkin drama The Newsroom begins with a toned-down, piano-heavy version of last year’s rousing theme song. Instead of the reverent images of broadcast icons that accompanied last year’s intro, this year we have a slightly more abstract portrait of modern life in the trenches of Atlantis […]
After an offseason which built a significant amount of hype for the Toronto Blue Jays, the first half of the summer did not really live up to expectations. The acquisitions of R.A. Dickey, Jose Reyes, Josh Johnson, Mark Buehrle, Melky Cabrera and company had the baseball world buzzing; however, injuries and inconsistencies have the Blue […]
