Recent Posts

Mia Chung’s original work is good at provoking feeling although it does this at the cost of character. Set in the modern day, You For Me For You is the story of two sisters, Minhee (Wendy Kweh) and Junhee (Katie Leung), the latter of whom escapes from her home country of North Korea while the […]

For a very limited time, London has the opportunity to learn about the life of the fabulous Judy Garland. Audiences who wish to be swept back into the Golden Age of Hollywood are urged to attend Through the Mill written by Ray Rackham and directed by Max Reynolds at the London Theatre Workshop. The performance […]

To celebrate their upcoming 3-night miniseries Childhood’s End (an adaptation of the seminal 1953 sci-fi novel by the same name), Showcase has given us a special prize pack to give away to one lucky reader. Pictured here, it includes a canvas tote, notepad and copy of the Arthur C. Clarke’s book the 6 hour event is […]

Anger can appear in various forms, but is it always justified? After all, most would see anger as a destructive force. Occasionally, it is so strong that it amounts to a wild outburst: this is what Penelope Skinner’s Linda is. It subjects us to the life of Linda Wilde, a middle-aged, award-winning marketing director for […]

Immersive theatrical experiences rely heavily on setting to properly integrate theatregoers into the action of the show. It is a bit like rounding up sheep for the actors and designers who need to direct the attention of patrons to specific areas of a room without confining people to chairs.* AccousticaElectronica, a theatrical experience originally developed […]

 

It is rare a director is so sympathetic to their chosen text; therefore, remember Liz Stevenson’s name. Too often a classic work is smothered by conservatism and theatrical brocade—this production of Barbarians is the opposite, where every direction furthers the purposes of the source. Stevenson’s interpretation is a great symbiosis of text and performance.   […]

*Minor spoilers ahead, but only for the first hour or so. Playing any Fallout game is an unusually strange and charming experience. Set in a future post-apocalyptic Boston, but in an alternative timeline in which the world never really got over the 1950s, there are few games with such vaulting ambitions as Fallout 4. But […]

 

Dean Gabourie‘s sparse and tonally conflicted staging of Howard Barker’s The Castle seems to feature every actor you’ve ever seen at the Storefront. There’s the ever-reliable Sean Sullivan hamming it up as the builder Holiday and Brenhan Mc Kibben, enigmatic and steady as the sidekick-y Batter. The design team, the photographer, front of house and […]