Canadian musical theatre is on the rise. I hate to give all the credit to Come From Away but, with the success of Come From Away, all of a sudden we’re seeing companies take chances on programming musicals and the next wave of composers getting a little more exposure. The slow-developing bridge across the great […]
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Let’s start with the big stuff – season two of Parks and Rec is ridiculously large. 24 episodes make up this season. More than a few of the best episodes from the whole show’s run can be found in season two (“Practice Date,” “Hunting Trip,” and “Woman of the Year,” to name a few). The […]
Since Donna Tartt’s debut, in which she was introduced to the world in an 8-page interview in Vanity Fair, she has amassed a cult of devotees. I am such a devotee. I loved The Secret History and especially loved The Little Friend. (It’s a mystery to me why The Little Friend is not as highly […]
One aspect of the documentary films I’ve seen this year at Hot Docs and Inside Out Festival, is the use of musical score to add drive and liveliness to the overall storytelling. While feature films are turning to cheaper synth style music for their scores, there are a few documentary films that manage to use […]
Trauma reverberates through a life in ways that are almost always unquantifiable, and it is a state that lends Bryony Lavery the title of her 1998 play, produced by Seven Siblings Theatre and onstage at the b current studio theatre in Artscape Wychwood Barns. All three characters are caught in an emotional paralysis, frozen as […]
I have a hard time watching comedies by myself. I’m uncertain as to where this comes from. I’m not one to shy from a terrible pun, a laugh, even a poorly-run improv performance. I like funny things. But for personal enjoyment, when it comes to consuming media, my choices run a fairly narrow gamut. I’ll […]
