Ladies, I have good news and bad news. The good news is Miz Cracker finally got a win, and actually looked like she was having fun on the show for once! I am so happy for her! The bad news is that Ru has unfortunately lost her damn mind and sent home Monet X Change, […]
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ABC’s overlooked comedy gem came to an end this week after nine seasons of sweet and sincere purposeful mediocrity. The Middle was a kind show with a big heart that celebrated the unremarkable and, in its uncompromising “middle”-ness, made large swaths of viewers feel seen in a way no other TV show accomplished. There was […]
Welcome to the sweet release that is the final resting place of Survivor: Ghost Island…
Seven Siblings Theatre is coming off their strongest season yet with a staged reading, a festival of new work, and two mainstage productions including the Critics’ Pick Award-nominated Fringe run of Eliza Clark’s Recall. They’re kicking off their 2018 season with Bryony Lavery’s Frozen, an emotionally potent drama about tragedy and trauma. Before tonight’s preview, […]
“Evil triumphs when good queens do nothing.” These are the fitting, essential, and political parting words left on the mirror by The Vixen on her way out the door. Also fitting? The other queens’ responses to it. They pretend as if they are mystified by the sentence, brush it off as if it’s just classic […]
Despite featuring several intriguing characters and relationships, Corbin Went’s new play Old Names for Wildflowers suffers from a lack of focus and originality – resulting in a two and a half hour meandering plot dotted with compelling moments. Exploring themes of ostracism, religious morality, taboo relationships and the many social constraints facing women, Wildflowers uses a post Civil War […]
To paraphrase a group of exasperated nuns I once heard: How do you solve a problem like Dom and Wendell? On the one hand, one of the two of them is obviously going to win, anyone who goes up against either one of them is doomed to second or third place, and this was probably […]
The eclectic pairing of a visually ambitious but narratively light 20th century Russian mixed bill directed with theatrical ambition and a rich Italian bel canto full-length narrative with restrained character-focused direction makes for a beautifully balanced spring season for the Canadian Opera Company, a stretch of programming that offers something for everyone no matter why […]