Lisa McKeown

Edward Albee’s The Goat or, Who Is Sylvia? is currently on at Soulpepper, directed by Alan Dilworth. I love this play for so many reasons, not least of which is that I think it’s a great example of a man actually writing an amazing and complex female lead character, who essentially carries the entire show. […]

  Lisa McKeown

Adam Lazarus’s play Daughter is about masculinity. Or rather: it is a play about toxic masculinity. Or, even more accurately: it is a play about the ways in which the patriarchy molds men into defective moral agents. This is a very intellectual description for a theatre review, and of a very visceral experience. So let me […]

  Lisa McKeown

Grimly Handsome is a relatively new play by New York playwright Julia Jarcho. Directed by Jay Turvey, this three hander stars Julia Course, Jeff Irving and Ben Sanders as a series of characters throughout New York City traversing romance, marriage, loneliness, betrayal, and violence. We open with what seems to be isolated farmland, though we […]

  Lisa McKeown

Rouvan Silogix is angry about the state of the world, and very understandably so. And what better way to channel that anger than to create a farce about the contemporary political landscape? Silogix’s answer to that question is to create a surrealist vaudeville farce, gloriously entitled Grab ‘Em By the Pussy: Or How To Stop […]

  Lisa McKeown

Daniel Pagett’s new play Cloud is about connections both human and technological. The narrative traces two sets of people…

  Lisa McKeown

Co-produced by Ahuri Theatre and Bad New Days, Flashing Lights is a story that explores the ways in which technology affects lives, and specifically our relationships. From the internet and the dissemination of information that it enables, to the screens we look at all day long, we are becoming – quite literally – cyborgs. The […]

  Lisa McKeown

Aptly timed, this DMT Productions prequel to Waiting for Godot is currently playing at the Theatre Passe Muraille Backspace while Soulpepper’s production of Beckett’s play is starting to wrap up. I have a deep personal affinity for the original: I first read it in high school, I have taught it in a class on existentialism, […]

  Lisa McKeown

Heading into this show, I wasn’t convinced I would like it. I haven’t, I will admit, watched many Alfred Hitchcock films, and the play seemed a bit like it might be like an old James Bond film, but an old and vaguely forgotten Roger Moore one. The crowd around me seemed like the kind of […]