From July 5-16, six of our Toronto staffers- Kelly Bedard, Duncan Derry, Lisa McKeown, Mary-Margaret Scrimger, Lorenzo Pagnotta and Chelsea Dinsmore- reviewed 100+ plays in this year’s Fringe Festival. We gave out more A grades than ever before in the best-reviewed Fringe we’ve ever seen. Click on the links to read more. The Reviews (in […]
With great power comes great responsibility: happily, Spider-Man: Homecoming understands that with YET ANOTHER REBOOT of a beloved super hero ALSO comes great responsibility…and they more than live up to it, with an intimate, clever, entertaining, and faithful Spider-Man adventure that is a breath of fresh air in Marvel’s now very crowded super hero line-up. […]
Immigrants. Gentrification. Two subjects that are inescapable when living in New York City. Sometimes it’s easy for New Yorkers to think we have the monopoly on them (as we like to think we have a monopoly on everything). But the Torontonian theater company Soulpepper proves otherwise with Kim’s Convenience, which handles heavy issues with sharp humor […]
If you’re looking for an all-ages comic that combines humour, heart, history, and adventure, then look no further: The Time Museum is an absolute delight from start to finish, and while it hits many of the familiar beats of the ‘young hero attends fantastical school/camp/institution’ genre, the characters, style, and concept are so utterly enduring […]
The big joke of Ink is that a play about a dumb, sordid newspaper is itself dumb and sordid. The audience doesn’t realise that, Rupert Goold doesn’t, James Graham doesn’t. But it is. Dumb. Sordid. Describing a play as ‘sordid’ makes me sound puritan. But it’s not the content that’s sordid, although Ink is about […]
I know, I’m as surprised as you. But listen, I enjoyed Magic Mike XXL (the original Magic Mike too but it was less fun and wanted to be too many things) and every once in awhile I get a weird 4am burst of personality-abandoning “to hell with it” courage and decide to do something truly […]
This dance-opera conceived and designed by co-directors Michael Greyeyes and Yvette Nolan and librettist Spy Denommé-Welch investigates the emotional history and contemporary cultural significance of Canada’s residential school system. The production itself is multi-faceted, combining orchestral music, a choir, opera, and modern dance. The story divides into three movements: in the first, the dancers enter […]
Cavalia’s performance of Odysseo has returned and hardly needs an introduction. The show teases prospective audience members with the promise of galloping horses, flowing manes, impressive circus feats, and magic. And honestly, it does not disappoint. The company, founded in Montreal by Normand Latourelle boasts the world’s largest touring company and tent, as well as […]