Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Five years ago, I interviewed the effusive and self-effacing Sergio Di Zio for the first time. Though he’s known for his screen work (you probably know him from Flashpoint but he’s in everything), he was nominated […]
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Hannah Moscovitch’s Secret Life of a Mother is a raw and compelling portrait of the darker side of motherhood – one rarely acknowledged in polite conversation, forcing the arts to shoulder the burden of challenging these long-standing taboos. Moscovitch herself is the titular mother but the lead in this one-woman (but many-women) show is Maev […]
The Canadian Opera Company designed a playful Winter Season…
The Musician Spotlight Series shines a light on up-and-coming bands and solo acts creating heartfelt and original work across genres, giving them an opportunity to talk about their music, their collaborators, and why they do what they do. Click Here to follow the series as it progresses. To submit an artist or band for consideration, email editors@myentertainmentworld.ca. […]
Theatre Centre’s Progress Festival is one of my favourite annual festivals in Toronto. The programming is always sharp and smart, bringing cutting edge international performances to the Queen West theatre. I was only able to see a few shows in this year’s festival; this represents only a sliver of the festival’s programming. CAFÉ SARAJEVO Café […]
The Musician Spotlight Series shines a light on up-and-coming bands and solo acts creating heartfelt and original work across genres, giving them an opportunity to talk about their music, their collaborators, and why they do what they do. Click Here to follow the series as it progresses. To submit an artist or band for consideration, email editors@myentertainmentworld.ca. […]
Ellie Moon’s This Was the World, now playing at The Tarragon Theatre, Extra Space, endeavours to take on the notions of white privilege and white fragility, and does so unapologetically. It is a study of Professor John Taylor (R. H. Thompson). John is not your overtly racist uncle (or aunt/brother/cousin) that makes family dinners awkward. […]
