I’ve never been particularly patient with serial or otherwise long-form storytelling. If I’m not grabbed from the start of something, there’s a good chance I won’t hang around for whatever the creator considers the point of the endeavour. After watching the pilot episode of Lost when it first aired, I was convinced that that television […]
Recent Posts
Before we announce the winners of the 2014 My Theatre Awards, we’re proud to present our annual Nominee Interview Series. Back with his second My Theatre Award nomination in a row, the chameleonic Jeff Lillico is not only one of our favourite actors, he’s one of the most highly regarded in the country with credits […]
It seemed like everyone reached their breaking points during Girls’ “Cubbies,” even Hannah’s dad. And just when it started to seem like things would be okay for some of them, of course things went terribly wrong. What else was I expecting? Reeling from job rejection after job rejection, Shoshanna went to talk to Ray, who […]
The new Soulpepper season opened last week with Dario Fo’s Accidental Death of an Anarchist, directed by Ravi Jain, translated by Jon Laskin and Michael Aquilante, intensely modernized and adapted and localized by Jain and Paula Wing. The production stars Kawa Ada, a rapturously engaging and versatile performer born in Afghanistan and appearing on the […]
If you’ve been following the lead up to ABC’s Fresh Off the Boat premiere, as I have, you will have witnessed quite the spectacle. When the first promo dropped some time last year, the actual premiere date was left vague. It eventually was scheduled for a mid-season premiere in February of 2015. A lot of […]
Written by Danielle Morgan– Toronto’s newest theatre festival Progress, an international festival of performance and ideas, takes center stage from February 4 to 15 with a lineup of seven world-class performances in six languages. Each curated by a local company, the not-to-be missed international shows, workshops and talks engage conversation about language, accessibility and what […]
Clarity- of theme, of character, of purpose- is, to me, the greatest necessity in any Shakespeare production. Chances are the audience won’t follow every word of the script or even every beat of the story but if a production is thematically strong, has a solid sense of who each character is as a human being […]
