“What the hell just happened?” My first words when the curtain closed are indicative of where this piece is headed, so take a deep breath with me. Roundabout Theatre Company’s revival of The Old Times may be unintelligible, but the fault does not necessarily lie with the director, Douglas Hodge, the three-person cast of […]
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Greetings, humans. We have genre variety this month to keep your reading palate happy. Two novels, two biographies, a collection of essays about America’s most famous playwright, and a collection of sketches of some of the greatest writers working today: Books In Hand: Hanya Yanagihara’s A Little Life I excitedly impulse-bought Yanagihara’s book after hearing […]
This is not the youthful adrenaline shot that it sets out to be. Stoppard’s abridgement of Shakespeare tragedy-laden comedy is marred by poor direction choices, although the performances, as in the NYT’s other shows, are of a remarkably high calibre given the REP cast is handes their hardest material yet with the Merchant of Venice. […]
This is a tricky and charming work. The National Youth Theatre has made something first-rate and empoweringly original with Consensual. It is a discussion of sex but simultaneously a discussion of that discussion, critical of the current discourse yet accepting of a world transformed by porn and marketed sexualisation. Evan Placey’s script is punchy: […]
It is no easy task to turn a book into a play, especially when the book is one of the most beloved pieces of English literature. Stephanie Street’s script brings a modern twist to Emily Bronte’s Wuthering Heights in her adaptation. While the story is well adapted, the language is quite different from that of […]
Code Black begins with a definition of the title and an explanation of the setting. Code black is a term for an influx of patients so great, there aren’t enough resources to treat them. While the average ER is in code black 5 times a year, Angels Memorial Hospital in LA (our setting) is in […]
Staged at the Bridewell Theatre, Geoids’ latest outing is one of the most technically ambitious productions within London’s amateur scene. A huge cast, set and orchestra are used to recount the problem of an eroding Hollywood. For those unaware of the film (which you should all see, incidentally), Joe (Michael Stacey), a failing screenwriter, is […]
I’m a big sucker for musicals, so I knew I had to check out Crazy Ex-Girlfriend. I was wary going in, though. Would this be one big, predictable joke about irrational, emotional, obsessed, clingy women? Or would Crazy Ex-Girlfriend mock the tired, and offensive stereotype? I found the pilot “Josh Just Happens to Live Here!” […]