Hospital waiting rooms are emotional places. On a daily basis, they are the scenes of both great grief and great joy as humans celebrate new life and renewed chances at life while others lament painful losses. In a Little Room, written by Pete McElligott and directed by Patrick Vassel, now playing at the Wild Project, […]
According to old rules of etiquette, it’s impolite to discuss sex, politics, or religion at a dinner party. Theatre by Committee’s Omnium Gatherum tackles all three with gusto, throwing in privilege and culture for good measure! Believing that lively conversation is at the heart of any great dinner party, Domestic Goddess Suzie gathers an assortment […]
I rewrote the title of this article about four times. I worry that the one I settled on is misleading- it sounds like an old timey newspaper headline declaring that the new production from Unit 102 Actor’s Company misses the mark- but everything else I came up with was a pun or just generally stupid […]
There’s profundity in boredom, or at least that’s what most Waiting for Godots seem to argue. It’s an impossibly dull play to watch, purposefully so; the theatre usually has at least one groaner, one snorer and maybe a blunt high schooler or two complaining that it’ll all start again after intermission and nothing’s likely to […]
I chose Emergency Chorus’ Celebration to break my review-fast because it exemplifies what I’ve missed and what I’m missing. I mean, God, what the hell have I sidestepped in Central London alone these past months? What I’ve missed: Celebration was born of the NSDF — the National Student Drama Festival — and I can’t tell […]
Athena Reich’s #ARTBIRTH was so unexpected, such a witty and subversive spectacle. Reich, as her pregnant Lady Gaga alter ego, drops a line early in the show warning us that this experience will transcend everything we think we know about music, theatre, and performance art… and it’s true. #ARTBIRTH is a parody, but it is […]
Party Today (Panic Tomorrow) is an apt name for The Second City Toronto’s silliest and least political mainstage show in a few cycles. There are moments when the bold political humour that made the last revue so impactful shows back up (Brandon Hackett makes a police brutality joke out of nowhere and its lack of […]
Follies is, in one way, exactly what you might expect from a 1971 work by the noted musical dramatist Stephen Sondheim, in that it’s a true spectacle, with lyrics that bounce effortlessly off its superb score, and huge, colourful and bombastic set-pieces that leave the audience in awe. On the other hand, the latest revival […]