Anita Majumdar’s Fish Eyes Trilogy is an exercise in empathy, digging deep into the raw crevices of teenage desire for self-actualization. Playing at the Factory Theatre, the trilogy follows the intertwined but distinct storylines of three women as they come of age in small town BC. Layering on themes of sexism, assault, racism and oppression, […]
The Palmerston Library Theatre isn’t used very often for serious theatre. With its limiting proscenium layout, casual-but-not-indie atmosphere and periodic subway-related rumblings, it’s rare to see much produced there beyond children’s theatre and staged readings despite its central location and reasonable affordability. What’s great about director/producer Ash Knight’s Tragedie of Lear– a passion project without […]
The Curious Incident of the Dog in the Night-time (National Theatre presented by Mirvish Productions) I saw the UK’s National Theatre production of The Curious Incident of the Dog in the Night-Time when it played Broadway a few years ago with the incomparable Alex Sharp in the lead role of Christopher, an autistic teenager who […]
Theatre Lab’s new musical comedy, currently onstage at the Factory Studio Theatre, can be summarized in one word: clever. The title- The Adventures of Tom Shadow- suggests a Peter Pan-type protagonist and a familiar tale of his far-flung adventures. The opening scene features the expected happy nuclear family at bedtime and, when the parents leave, Tom Shadow takes […]
Co-produced by Ahuri Theatre and Bad New Days, Flashing Lights is a story that explores the ways in which technology affects lives, and specifically our relationships. From the internet and the dissemination of information that it enables, to the screens we look at all day long, we are becoming – quite literally – cyborgs. The […]
Chloe Lamford’s set presents a box in the Jerwood Downstairs surrounded by scaffolding, which contains the kind of modern, expensive, prefab apartment you see in every part of Central London. It’s typical, and typically furnished, and the performance notes specify that the ‘generic art’ on the walls looks like it’s been ‘chosen by a property […]
Bathroom intimacy is a key part of any romantic relationship. Worst opening sentence ever? I stand by it only because Filament Incubator’s production of Becky Tanton’s How to Drown Gracefully is often just as upfront (if more elegant) about its characters’ entwined romantic and physical sufferings, and it sets the whole thing, even in scenes […]
