The Greater Boston area has seen its share of Rabbit Holes. The Umbrella (formerly the Emerson Umbrella) presented its own production of David Lindsay-Abaire’s Pulitzer Prize-winning play about what it means to grieve and how to cope with loss in our everyday lives. Becca (Allison McCann) and Howie (Randy Elkinson) are parents who lose their […]
Bridge Repertory Theater of Boston was a My Theatre favourite in 2013. With a strong introduction to the Boston scene with The Libertine, Bridge Rep has quickly made itself known as one of the more professional fringe theatres in Boston. Though I missed their Not Jenny, I had high expectations for this season. Their talent […]
Opera and subtlety don’t often go well together. Opera comes from the greatest possible highs and lows of the human experience, from the glorious pain of love, murder, and suicide. So, it is stunning to see a new production of Verdi’s Rigoletto full of subtle nuance in its direction and acting, bringing out its grandiose […]
The program notes for Fort Point Theatre Channel’s double bill (Reel-to-Reel) described Samuel Beckett’s great play Krapp’s Last Tape as a play that “focuses on a difficult life choice—between doing what feels like great art and pursuing a great personal love.” That is certainly one focus of the play. This one-act, one-man-show can be summarized […]
Patrons are standing in the lobby of the Big Picture Cinema – yes, cinema! – many of whom know Paul Bellini well. I even strike a conversation with him myself as I took a writing class of his last year. Bellini kindly excuses himself as he has received word that it is, finally, okay for […]
Florencia en el Amazonas is a relatively unknown opera; it’s modern, it’s Spanish, it’s artsy. However, the Boston University College of Fine Arts School of Music Opera Institute and School of Theatre (wow, that’s a mouthful!) show that the production is reminiscent and in every way equal to the classics from which composer Daniel Catán […]
Characters in theatre almost always know more about themselves than audience members; the characters have lived in a fictional world before the play’s action. However, it’s a rare treat when an audience knows more about the play’s world and characters than the characters themselves. Such is Sondheim’s Merrily We Roll Along, an innovative musical (for […]
The 40th anniversary speeches have been given by Artistic Director Michael Trent and the Ontario Arts Council’s Dance Officer, Myles Warren. The playing space is empty as we sit in the round, starring at each other. It seems like the lights are never going to go out. In fact, they never do. A most appropriate […]