An Enemy of the People was originally an Ibsen play that has been translated by Maria Milisavljevic and adapted by Florian Borchmeyer then staged by Tarragon artistic director Richard Rose with a distinctly Canadian political slant and is now being remounted with mostly new actors. The plot is so incredibly relevant to our current politics that […]
A night of laughter is always a night enjoyed. Everyone loves stories bursting with absurdities and humor, which is exactly what Michael Frayn’s comic farce, Noises Off, is able to deliver. Currently playing at the Bridewell Theatre, Matt Gould’s production, while thoroughly entertaining, is a little bit too long. It does have some great moments […]
Attending Actors’ Shakespeare Project’s production of Othello, directed by Bridget Kathleen O’Leary, staged at The Modern Theatre at Suffolk University, I focused on John Kuntz’s Iago. He didn’t go for hand-rubbing evil villain; he didn’t laugh maniacally during his many asides to the audience. He wasn’t particularly smooth-talking or violent. In fact, he was mostly […]
The Huntington opened its 34th season in September with Stephen Sondheim’s romantic, waltz-infused musical A Little Night Music. Full of sumptuous tunes, gorgeous costumes (design by Robert Morgan), and great performances, the production does justice to Sondheim’s dreamy, romantic tale of, as director Peter DuBois puts it, “sex and death.” Led by the warm […]
Interviewed by dramaturg Jessie Baxter, young playwright Ruby Rae Spiegel spoke about how writing a certain distance from the past helps her produce convincing work: “In high school I wrote a play about middle school, and in college I wrote a play about high school…I like to write when I have a bit of perspective, […]
While perhaps counterintuitive, staging a once-successful revival does not guarantee present-day success at the box office nor an audience enamored with the subject matter presented. The cold, harsh truth is that some plays simply do not age well. The Gin Game by D.L. Coburn, currently running at the Golden Theatre, is one such production that […]
“What the hell just happened?” My first words when the curtain closed are indicative of where this piece is headed, so take a deep breath with me. Roundabout Theatre Company’s revival of The Old Times may be unintelligible, but the fault does not necessarily lie with the director, Douglas Hodge, the three-person cast of […]
This is not the youthful adrenaline shot that it sets out to be. Stoppard’s abridgement of Shakespeare tragedy-laden comedy is marred by poor direction choices, although the performances, as in the NYT’s other shows, are of a remarkably high calibre given the REP cast is handes their hardest material yet with the Merchant of Venice. […]