All My Sons This Arthur Miller drama feels a-typical for the company that’s made its name on Shakespeare and its money on musicals. Though modern drama isn’t Stratford’s usual racket, Martha Henry’s smartly cast and emotionally wrought production might be the best thing at the festival this year (well, maybe second to Breath of Kings: […]
Second World War stories always seem to be crowd-pleasing, bringing in elements of tragedy, violence, treason and, in this case, …
I can only imagine that the experience of a refugee is one of exhaustion, fear, and utter resolve. But it must be one of tedium as well; so much time spent travelling in such uncomfortable, de-humanizing surroundings. Set in a literal shipping container which has been set up in the Berkeley Street Theatre courtyard, Zachary […]
Kill Your Parents in Viking, Alberta (Storefront Arts Initiative & Blood Pact Theatre) A vibrant, fraught, fast-paced new tragi-comedy from playwrights Bryce Hodgson & Charlie Kerr, the oddly named Kill Your Parents in Viking, Alberta plays out in real-time in the kitchen of young mother Susan (Allie Dunbar, hilarious in her immovability) as she attempts […]
J. Stephen Brantley has a distinct voice for re-creating the New York of yesteryear – to paint a picture of the gritty pre-Giuliani New York that I only know from films and rerun credits of Saturday Night Live. Of course, living in the city during that time was bound to have some lasting effects, and […]
The Second City’s latest mainstage revue is as honest as it is funny, as biting as it is charming, and as surprising as it is (mostly) consistent. Every member of the cast brings a different style and point of view to the table, all hilarious in their own right but especially effective together. Created […]
‘The Pussy Riot performances cannot be reduced just to subversive provocations. Beneath the dynamics of their acts, there is the inner stability of a firm ethico-political attitude. In some deeper sense, it is today’s society that is caught in a crazy capitalist dynamic with no inner sense and measure, and it is Pussy Riot that […]
Tennessee Williams’ semi-autobiographical memory play about a regretful Southern Belle and the miserable adult children who’ve grown up on her repetitive tales of questionable glory days is one of the playwright’s greatest poetic achievements and the piece that made his name when it premiered in 1944. Tom Wingfield’s nostalgic monologues that frame the flashback action […]