Jackie Houghton

How to Fail As a Popstar… Is it a love letter or is it a break up song? After watching Vivek Shraya’s debut play, now playing at Canadian Stage’s Berkeley Upstairs Theatre, and mulling it over for the better part of a full day, I’m still not sure. I’m also not sure it really matters. […]

  Jack Graham

We all love a David and Goliath story, and Patrick Combs’ is a good one. In 1995, he received a cheque for $95,093.35 from a junk mailing scheme. Broke in San Francisco, he thought he would try to cash it as a joke. To Combs’ astonishment, the cheque deposited, and he soon became the bank’s […]

  Jackie Houghton

Clowning is an art. A wise woman who has spent most of her adult life performing as a both a theatre and a circus clown once told me that clowning is an impossible art to perfect because a true clown must be able to balance wearing a variety of hats all while acting the fool. […]

  Kymberley Feltham

There is no doubt that when Daniel MacIvor enters the stage, he does so with seasoned confidence. He appears a bit agitated while dressing the stage, a picture here, a nice scarf there, perhaps even pandering a bit to an audience that is eating it up, quick to laugh at his antics. The mood shifts […]

  Kelly Bedard

I was so excited to find myself in Vancouver during the Fringe Festival this fall (it’s crazy that there are still Fringe Festivals happening once it’s officially “fall”). Having covered the Toronto leg of the epic Canadian indie theatre circuit for years, I was curious to see how things compared out on the west coast. […]

  Kelly Bedard

I was so excited to find myself in Vancouver during the Fringe Festival this fall (it’s crazy that there are still Fringe Festivals happening once it’s officially “fall”). Having covered the Toronto leg of the epic Canadian indie theatre circuit for years, I was curious to see how things compared out on the west coast. […]

  Kelly Bedard

Take a look at our full list of 2019 Fringe reviews HERE. Emotional Labour (A) Written and performed by Jess Beaulieu and Luis Fernandes, this clever two-hander about the division of labour, both emotional and physical, in modern relationships is devastatingly relatable. It’s not subtle, but I fear if it were any more subtle it would […]

  Mark Kreder

Take a look at our full list of 2019 Fringe reviews HERE. I, Malvolio (B+) Justin Otto’s performance in I, Malvolio is powerful. If you can take anything away from this review, let it be that. Otto demands the audience’s attention from the moment they enter the room. There is an air of chaos about Otto’s […]