Everybody is the dream. If you ever hear someone question the goal of modernizing and diversifying the country’s biggest and most entrenched theatres, tell that person about Everybody. This production is why that forever and always struggle is important. Beyond just issues of fairness and the importance of representation, it’s important because real success means […]
Nearly three full hours, consisting of very little plot yet somehow lots of plot contrivance and noted mainly for its extended bursts of tiresome moralizing, Too True to be Good is quintessentially Shavian in a way I find hard to love. It’s so typical that there’s almost a strange comfort in its inclusion in this, […]
Robert & Willie Reale’s musical adaptation of Arnold Lobel’s Frog & Toad books is so deliriously pleasant that I nearly got heatstroke sitting in the uncovered section of its outdoor audience at the Shaw Festival and barely noticed. My cheeks hurt from smiling and I cried so much that it’s better measured by time than […]
For all its traumas and sadnesses, the pandemic was, at the very least, an immensely clarifying experience. With our lives irreparably disrupted and access to so many things denied, it very quickly became obvious how I truly felt about the things in my life that had become routine. My character-defining love of television stood firm […]
In Tennessee Williams’ extensive canon, The Glass Menagerie stands out as the original “memory play”: the work is framed as the hazy recollections of the main character, whose reliability as a narrator is an open question. Williams uses this to issue an invitation to actors and directors to fill in and flesh out those memories as […]
If staging the perfect murder is hard enough, staging a good murder mystery has its own challenges. With all the mischievousness of its main characters, Patrick Hamilton’s Rope dodges those responsibilities by flipping the script: the murder is made in front of us and the motive is the mystery. It’s been a while since thrillers […]
After I saw Brigadoon, the Shaw Festival’s magical staging of a reimagined classic musical, I right away sat down to write about the experience. At least for me, the night I saw it, the mood I was in, Brigadoon was a fully contained theatrical moment about which I had plenty to say. Another staff writer […]
This show hit me straight in the heart. It’s been so long since I’ve been able to say that about a Shaw musical and I’m grinning ear to ear to be able to say it now (also because I literally just left the theatre so the post-musical glow has yet to wear off). Loewe’s love […]