Robert & Willie Reale’s musical adaptation of Arnold Lobel’s Frog & Toad books is so deliriously pleasant that I nearly got heatstroke sitting in the uncovered section of its outdoor audience at the Shaw Festival and barely noticed. My cheeks hurt from smiling and I cried so much that it’s better measured by time than […]
Is the Harry Potter theatrical sequel worth seeing? Our review of the latest from Mirvish Productions.
Ted Dykstra and Richard Greenblatt’s 2 Pianos 4 Hands is considered one of the great success stories of Canadian theatre. Spinning a tale about parallel adolescences tied together by classical piano training, this elegantly simple two-man production balances a double life as crowd-pleasing goofball act punctuated by well-played concertos and a darkly funny memory play […]
Théâtre français de Toronto’s Singulières (co-presented by Crow’s Theatre) is the sort of show that can be either revelatory or evocatively familiar. If you’re a woman who’s spent a good portion of your life single, the true stories told in Maxime Beauregard-Martin’s thoughtful docu-play will likely ring true in that way that good true theatre […]
The city’s longest running opera company offers a really lovely blend of young professional artist support and community-based involvement. Their latest production, Pietro Mascagni’s Cavalleria Rusticana (which ran June 2-5 for three performances only at the Harbourfront Centre’s Fleck Dance Theatre) perfectly illustrates that two-pronged approach to opera for everyone. It’s hard to explain […]
Justin Miller’s beautiful drag clown Pearle Harbour lives simultaneously in the past and the future, a wise fool with a sharp wit and a big beautiful heart that’s too often broken. In Distant Early Warning, her new dystopian solo show at Buddies in Bad Times Theatre, she’s alone and in love, totally helpless and […]
Pipeline is the perfect work to mark Soulpepper’s return to live theatre. Dominique Morisseau’s exploration of how American public schools set black boys up for failure at best and prison at worst was part of a 2020 program postponed by the pandemic. After two brutally long and tough years, director Weyni Mengesha and this cast […]
Annie Baker is good at making her stories the story. The Flick, a three-hour epic (or dirge, if you prefer) dazzled and bored audiences across North America before taking its talents to Toronto. After an off-Broadway debut in 2017, Antipodes now prompts audiences at the Coal Mine Theatre to examine the purpose of stories – […]