Theresa Perkins

Fractured fairy tales. Re-imagined classics. Call them what you will but traditional fairy tales have been reincarnated again and again through various mediums. They have been parodied, merchandised by the Mouse, and transformed, often exploring themes and teaching lessons unaddressed or counter to those set forth in the source material. Gabrielle-Suzanne Barbot de Villeneuve’s Beauty […]

  Chris Behmke

Tooting Arts Club’s production of Sweeney Todd at the Barrow Street Theatre is the perfect thing to see this fall: part dark theatrical masterpiece, part haunted house. It’s the most creatively staged production of Sweeney Todd that I have ever seen: the show is set in a pie shop (with fresh pies baked by the former White House pastry […]

  Chris Behmke

Doing improv well, especially in the improv-saturated comedy scene of New York City, is a difficult task. Doing improv well with the musical sensibility to fit with improvised music is even more difficult. Rapping improv, for an hour and a half about a historical figure that no one knows that much about, often at a […]

  Chris Behmke

The Stonewall Riots have in recent years gone from a seminal moment in the history of the gay rights movement to a nationally recognized landmark victory in the fight for civil rights in America at large. Doric Wilson’s Street Theater, currently playing from September 20th-October 4th at Eagle Bar NYC, uses the Stonewall Riots as a jumping […]

  Theresa Perkins

Hospital waiting rooms are emotional places. On a daily basis, they are the scenes of both great grief and great joy as humans celebrate new life and renewed chances at life while others lament painful losses. In a Little Room, written by Pete McElligott and directed by Patrick Vassel, now playing at the Wild Project, […]

  Chris Behmke

It is the story of the daughter of a deposed king with an eye on the throne and a determination to return to glory. A blonde-haired outsider from across the sea, managing duplicitous politics, shifting allegiances, and an army of soldiers to defend and maintain her claim to power against warring factions with claims of […]

I’m a big fan of Antony Raymond whom I consider one of the city’s rising star playwrights. He creates rich unique characters with clear voices. As tensions and emotions inevitably build throughout his plays, the characters are primed to clash with each other. That said, the plot of his latest play, Apartment 301, feels undeveloped […]

  Anwar Ragep

Jessica, a play written by Patrick Vermillion, showing at the IRT Theater brings science fiction and artificial intelligence to the stage. But an overly ambition script falls short in execution as too many plot points must be explained in unnecessarily complicated detail, such as the minutia of implausible technological advancements As a result, it is […]