Recent Posts

I was raised on Rodgers and Hammerstein; in fact, I didn’t think there was any musical that I hadn’t seen by this famous musical writing team. And then I remembered Carousel. Richard Rodgers is cited as saying that it was his favorite of all his musicals, quite a compliment given that Oklahoma! preceded it by just […]

The Stratford Shakespeare Festival has already announced their 2012 lineup, but other than Christopher Plummer’s return in A Word or Two, the casting still remains largely a mystery. So, before my dreams are dashed by the inevitability of some of my favourites not returning, I thought I’d speculate about what would be my ideal casting. […]

I think I’m infected, but that’s not always a bad thing. Flat Earth Theatre’s production of the problematic Bug infected me with inspiration and awe. I wasn’t a fan of the play before seeing this version. I thought that it was an actor’s journey into internalized storytelling, but Flat Earth rose to any challenges in the […]

 

I’ve seen Evan Buliung a couple times during his eight years at the Stratford Festival. I’ve always liked him well enough but never really noticed him. I mean, I remember seeing and liking his Mercutio, but was so taken with Gareth Potter’s Romeo that I couldn’t tell you what I liked about the more challenging […]

On my latest adventure into the Boston fringe theatre scene, I discovered what may be the longest, most eccentric title yet; the production bursts with the same energy. 2010: Our Hideous Future: The Musical!, a Near-Futuristic Dystopian Cyperpunk Musical Comedy, flashes and pulses with a punk rock score and “hip” cyber jokes. I will admit […]

Vagabond Theatre Group was very ambitious in their staging of The Unfortunate Cutthroats, an original play written by Zach Winston and directed by James Peter Sotis. The Unfortunate Cutthroats portrays life at sea for what else but cutthroat pirates. The production bobs like a boat out at sea and staggers under the weight of an […]

The Boston theatre scene is small and, with each new production reviewed, I notice more and more overlap among companies; there are directors who perform as actors, costume designers dressing as patrons, and actors who mask as critics. Recently, I was delighted to be invited to a galas for the opening of a new company […]

The Trip is an odd film. A lot of people won’t like it, it won’t win many awards and in a million years it wouldn’t make for a passing grade in any university film course. Because nothing happens on The Trip. The characters are largely the same when they return as when they leave, there […]