“You’re not special just because you got hit by lightning.” “The internet thinks I am.” It is much easier to review a show that is unequivocally bad or mind-blowingly amazing. It is the complicated show with so much potential but a final production that ultimately doesn’t work, that creates a conflict for me. I want […]
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The trailer for Only God Forgives is absolutely remarkable. Stylized cinematography with a glowing rufous aura of revenge is cloaked in tension-rising techno that shadows the slow-reactions of actor Ryan Gosling. With a firm R-rating, the two-minute trailer introduces a samurai-sword-carrying-killer-cop and a mother asking her youngest son to avenge the murder of his older […]
Women who found themselves caught in the web of the mob have always avoided publicly expressing their feelings. Yet a few have come forth with riveting stories exposing a feminine side of the “life”. We can go way back to the earliest published testimonies from women like Rosalie Bonanno (“Mafia Marriage”), Sandy Sadowsky (“Wedded to […]
As soon as I sat down in the Annex Theatre for my first-ever Toronto Fringe experience, I realized that I had already made my first Fringe mistake. I failed to select a seat that would allow for an easy escape. Striding across the stage in the middle of a performance in order to leave is neither a good idea […]
There’s always at least one magnificent piece of work that just doesn’t fit into our annual awards, either because it stands head and shoulders above the rest of the work being done or because it’s simply so very different, incomparable. That’s what our yearly Honorary Awards are for. There’s one for each branch presenting awards: […]
As a series, audiences were encouraged to view a type of Harry Morgan (James Remar) that was pure fantasy—a creation within the mind of Dexter. Upon the introduction of Dr. Vogel, we finally see actual recordings of Harry, who is a man that doesn’t have all the answers and who questions the experimental code he […]
The two most recent productions in Soulpepper’s 2013 season have been lively re-interpretations of texts that can only be described as classics. The first, Michael O’Brien and John Millard’s anachronistic take on Rossini’s The Barber of Seville, was a goofy romp-like good time and little more. The sublime pleasure of having the great Dan Chameroy […]
“What’s Eating Dexter Morgan?” opens with a sight gag—tricking audiences to believe that something awful has happened to Dexter’s son, Harrison. Our protagonist hears his son calling and walks through their condo, finding red footprints leading to the bathroom. Rather than blood, young Harrison is sitting with a tummy ache, surrounded by Popsicle wrappers. Deb, […]