There are a large number of suspicious deaths occurring at the Walter Kerr Theatre, and, strangely enough, all of the victims bear striking resemblances to one another – and to Jefferson Mays, the gifted actor who portrays every doomed D’Ysquith family member in A Gentleman’s Guide to Love and Murder. Gentleman’s Guide is an artistically […]
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The Empty Room’s current production of RC Sherriff’s World War I drama Journey’s End is so much better than it seems on first reflection. When broken down for parts, 98% of it is in fine, working order. Some of that 98% I would even call excellent (Joshua Stodart’s steel-nerved scamp of a Mason, for example, not […]
Simple Machine’s production of The Turn of the Screw, adapted by Jeffrey Hatcher from the ghostly tale by Henry James and directed by M. Bevin O’Gara, is very well-acted and very well-executed. The perk of a play like Screw is that everything hinges on only two actors. The dreadful risk of such a play is […]
As previously mentioned, Lyric Stage Company of Boston assembled one of the best seasons in Boston this year. For their fortieth year, Lyric Stage Company pulled out the big guns with silly and smart farces to beautiful and serene dramas to insightful and challenging musicals. For their second production of the season, Lyric Stage Company […]
Following up his pre-financial crisis film, Margin Call, writer-director J.C. Chandor’s second film, All is Lost, hits indie theaters like a storm. The film opens with a voice over and quickly jumps to a sleeping Robert Redford who is awoken from a collision with a shipping container. Floating amidst the Indian Ocean, Redford seems effortlessly […]
Richard Curtis is a man who is extraordinarily good at what he does. He writes (and sometimes directs) British romantic comedies and he does it with more consistency than almost anyone else working in that genre. He has more movies on my favourites list than any other writer (even Aaron Sorkin and Nora Ephron top […]
I have strong feelings about Romeo and Juliet. There, I said it before and I’ll say it again. I always wait with baited breath during the Prologue to see how this new production will interpret this timeless classic. Sometimes, I leave merely disappointed; other times, I leave damned confused. Actors’ Shakespeare Project’s production leaned towards […]
*sigh* It’s now been 2 years since Stratford put on a Shakespeare production truly worthy of the festival stage. Last year’s Cymbeline was pretty good and there are 2 near-great productions in this year’s lineup (Othello and Merchant of Venice) but nothing with the excitement of 2011’s fabulous Twelfth Night and thrilling Titus, or the […]