Be sure to check out our Full List of Fringe Reviews Everyone Wants a T-Shirt! (A-) Exuberant, absurdist and smart, this Prairie Fire, Please production is a hilarious satire of the modern millennial corporate dilemma. Written by Madeleine Brown, It tells the story of Beatrice Little (Brittany Miranda), a young woman whose failed pitch for […]
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Be sure to check out our Full List of Fringe Reviews Harvey and The Extraordinary (A+) At once exploring childlike glee and darker undertones of more adult concepts of coping with loss through the lens of youth, Harvey and the Extraordinary is a stripped down play in a garage of one young Mimi, or […]
Press Rooms aren’t as big a part of the ATX Television Festival as they are, say, San Diego Comic-Con. I did a fair number of 1:1 interviews with people who make TV, attended screenings of new shows and reunions of old casts and panels discussing everything from the impact of TGIF shows making their Hulu […]
What a remarkably raw and human piece of theatre. The libretto of this brutally honest look at working-class life is crafted with such eloquence that it is a joy to listen to. Coupled with such a powerful performance from its cast, this play challenges your preconceptions and presents the complexities of an apparently simple life […]
Be sure to check out our Full List of Fringe Reviews #KanderAndEbb (A) No stranger to cabarets, Ryan G. Hinds has delighted us over the years with many equally passionate and comedic one-man shows. #KanderAndEbb though is the most personal in my opinion. I really enjoyed hearing so many anecdotes, not only about the lives […]
In Everyone is Doing Great, the original pilot created by and starring James Lafferty…
July 4-15th, with a team of nine writers, we reviewed every single show in the Toronto Fringe Festival (not including KidsFest, you gotta leave something to strive for). Below you can find the complete list of shows with letter grades and links to our reviews. Check out our Twitter and Instagram @MyEntWorld for more from our Fringe […]
15 years ago, Stephen Schwartz and Winnie Holzman adapted for the stage a novel by Gregory Maguire that was itself an adaptation, or perhaps more accurately a revision, of The Wizard of Oz. The novel was dark and strange and long, full of deeply unlikeable characters and bleak allegorical observations about a world more real […]