I don’t really care for original works. I fully support them but I have a hard time reviewing them. I never know whether the play needs a new cast, a new director, or a few more workshops. Expecting by Noah Tobin is a new work at Boston Playwright’s Theatre. The play […]
Alumnae Theatre’s current production of Cosi is the best thing I’ve seen from them since director Jane Carnwath’s last project, Hedda Gabler in 2010. There’s a character clarity in Carnwath’s productions that’s missing from most of the rocky company’s other projects. She also has a knack for casting and has lucked out on pretty good […]
Boston Conservatory (BoCo) has always held a special place in my heart. Factory Girls was one of my first reviews for this site just under a year ago. I have gone to see a few BoCo shows since then and I’ve been consistently impressed with the quality of work produced, from the singing, to the […]
Last weekend, Boston University Stage Troupe succeeded in thrilling its audience with In the Next Room, or The Vibrator Play directed by Melissa D’Anna. I’ll mention before I go into my impressions, that I had never seen or read the play before, so I was unsure of what to expect. The very first thing I […]
The annual short play festival at The Imperial Pub, put on by “Toronto’s Geekiest Theatre Company” is an adorable event. The tiny back room that houses a makeshift theatre has terrible acoustics and lots of pub noise leaking through the curtain that separates it from the main bar section. The lighting grid is sparse, the […]
If I were a Legally Blonde character I would be a not-so-delicate combo of snobby conservative Vivienne Kensington and frumpy, loudmouth intellectual-liberal Enid Hoopes; but despite this uber-brunette pedigree, I am an unabashed Elle Woods fan. I think she’s the greatest. The world needs kind and well-meaning characters like Elle and her empathetic optimism, and […]
Sometimes a one-act play can be brilliant in its low-frills simplicity (great one-man shows like Modern Love, Bursting into Flames and Ellamentary are like that). Sometimes their shortened length allows for succinct storytelling and tight pacing (particularly in intimate stories like family-centred one-acts Kim’s Convenience and Remember, Maggy?– both wonderful). And sometimes you’re glad a […]
HONORARY AWARD Our Yearly Honorary Award is for an artist whose exceptional work doesn’t fit into the categories of the My Theatre Awards. In the world of theatre, that could be a dramaturg, someone on the tech team or a designer who works in regional or student theatre (the Best Designer category is only in […]