The Sweethearts is a show not to be missed. Telling the story of a girl band going to give a charity concert to British troops in Afghanistan in 2014, it promises a night filled with emotions from humor to sadness, and it forces the audience to question both individual and societal values. The Raise Dark […]
Like A Generation is Coyote Collective’s re-mount of an earlier production from 2013 with an updated multi-media set and lighting design. Written by Max Tepper, and directed by Blue Bigwood-Mallen, the show is a show “about television (or I suppose streaming since no one actually watches TVanymore,” Bigwood-Mallen writes in the show programme. And indeed […]
Despite the vast number of diverse theatre productions in New York City, there is a noticeable lack of plays that depict the lives of Americans living in the middle of the country. Susan Merson’s new musical play Between Pretty Places does just that in a surprisingly genuine way while also exploring themes of grief and […]
I have a theory about the (arguably, I guess) three most important theatre companies in Ontario. In any given season, if one of the three companies is under-performing (as one inevitably is), the others raise their game (to compensate? compete? rub it in their face? who knows). They seem to rotate- in a superb Soulpepper […]
An odd, rarely produced adventure at sea that many Shakespeare fans have never seen, Pericles is the only one of the four Shakespeare plays currently at the Stratford Festival to be relegated to one of the smaller theatres. Dreary Hamlet, overly traditional Shrew and uneven Love’s Labours are all playing on that famous festival stage […]
Of the many “just do the play” attempts at Shakespeare this season on the Stratford mainstage, director John Caird comes closest to presenting an incarnation of true interest. Patrick Clark’s overly pretty design traps the actors and distracts the audience and a few casting missteps drag the affair down but, armed with arguably the most […]
An original British musical is something of a rarity in London theatre, with juke box shows and film adaptations dominating the West End, but luckily we have a thriving fringe circuit that is willing to take risks on such shows, as the Union Theatre has done with ‘The White Feather’. A beautifully touching musical, it […]
Two moderate highpoints of the 2015 Stratford season, Possible Worlds & The Physicists are both works of thematic ambition with refreshing visual flair. Strong casts and well-paced direction help both pieces stand out though neither stirs the heart nearly as much as it attempts to challenge the mind. In John Mighton’s Possible Worlds, a […]