Three singers, two pianists, and a whole lot of Sondheim—a thoroughly enjoyable evening by the AC Group for the avid or even casual fan of the great lyricist/composer, though this charming production is unlikely to convert any sceptics of his extensive catalogue. Quite remarkably, ‘Side by Side by Sondheim’ was first performed over 40 years […]
As I sat at Ted x Broadway last winter. I was baffled as Leslie Koch spoke animatedly about an apparent art oasis stationed in the middle of New York harbor, about five minutes by boat from my apartment. Having lived in the city for three years now, it was unfathomable to me that there was […]
Playwright Kyle Capstick had a lot of great ideas for a new play- a glimpse into the personal stakes of a small theatre company as the life-and-death stakes of WWII loom ever-more-noisily large, an examination of grief and the way we carry on, a poetic contemplation of what makes a kiss more than just an […]
Writing about the Vietnam War, Mary McCarthy identified the slippery motivations hiding behind the conflict’s carefully-constructed terms. To make their methods sound innocuous, the American military referred to napalm as “Incinder-jell,” and to defoliants as “weed killers.” McCarthy observed that this “resort to euphemism denotes, no doubt, a guilty conscience, or—the same thing nowadays—a twinge […]
I have always hated monographs that moonlight as plays or novels or paintings, though I have to make an exception for Future Conditional. It is so unabashed in its stance on education and class that it commands a degree of respect. As a play for many generations, it probably will not be that, but it […]
The theatrical adaption of the beloved 1973 movie The Sting, now playing at Wilton’s Music Hall, promises an entertaining night back in time. Unbeknownst to them, two small con artists named Johnny Hooker and Luther Coleman make big shot runner Doyle Lonnegan very angry by scamming one of his men. Without giving too much away, […]
It takes twenty minutes for it to truly begin, but Different Class is a sweet example of dramatic subtext. Maria (played by Lucy Penrose) is cleaning her flat the morning after a house party when her friend Andy (Robert Ansell) comes over for a chat. It seems a banal scenario and it certainly is for […]
