London in 1966 has been brought back to life in the dark and smoky setting of the Old Red Lion. The Local Stigmatic by Heathcote Williams tells the story of Graham and Ray, two men with sociopathic tendencies obsessed with betting on dogs and following mildly famous actors around the city. The plot may sound […]
A Reason to Talk, produced by Why Not Theatre, has already started when you walk into the Theatre Centre mainspace. There creator Sachli Gholamalizad holds old family photos up to her laptop’s camera, which are projected in real time on to the screen above her. In this evocative way, Gholamalizad introduces us to the subtle […]
For anyone seeking reassurance that opera still has a place in the modern world, Maometto II is an excellent place to start. Directed by David Alden, the COC’s current production (onstage until May 14th) blends dramatic tension and modern themes to create an utterly compelling performance that is difficult to tear yourself away from. Luca […]
The MyEntertainmentWorld Podcast returns with its first theatre-centric episode. Managing Editor Kelly is joined by the editor of MyTheatre’s New York branch Theresa Perkins to discuss the just-announced Tony Award nominations. Hamilton‘s domination (a record breaking 16 nods!), the show’s legacy, diversity on the stage vs. the screen, the best of Broadway’s non-musical productions, the […]
Kahn (playwright Fabrizio Filippo), a tech genius, has died and his friends and colleagues, both intimate and estranged, are summoned to an unremarkable airport hotel for the reading of the will. Once they are there, Kahn continues to manipulate the strings from beyond the grave. There are baffling levels of bureaucracy, and a man named Quentin […]
I had doubts about London improv: we lack institutions (the equivalent UCBs and ImprovOlympics)…
An intelligent and knowing comedy musical that remains totally aware of itself throughout, not shying away from its farcical nature but rather embracing it. This show is fun but polished and a joy to watch. The title itself, The Toxic Avenger, provides a pretty clear indication of the tone of the musical before you are […]
Directed by Joel Ivany in his mainstage debut with the Canadian Opera Company and designed by Michael Yeargan (set) and Francois St-Aubin (costumes), the COC’s current production of Carmen (onstage at the Four Seasons Centre until May 15) is very clean. The stage, the blocking and everything else is neat and tidy with precisely delineated […]