I have only 4 rules when it comes to great theatre: – make it coherent – make it honest – make it mean something – limit blackout set changes That’s it. That’s all I ask. The following three companies refuse to adhere to this final point with their current productions and it’s perhaps telling […]
We Three is a collaborative new work by Sarah Illiatovitch-Goldman with a clever title inspired by the Henry V speech a character passes off as “a poem she wrote”; a speech about brotherhood forged in shared experience and unshakeable as years pass. If only the bonds between modern women were as simple as those between Shakespeare’s soldiers, […]
What happens when you can no longer trust the accuracy of your reality? When unfamiliar faces invade your home and parts of your life that you hold dear suddenly disappear? These are questions faced by the more than five million estimated Americans living with dementia. While a great many artistic works have been created from […]
There are similarities between this play and the school of naive art: both are flawed, though so conspicuously it must be intentional; yet, unfortunately (and often), this intention is to make a point so obvious the artist’s recourse to bad technique wastes the good. While I cannot speak for the naive artists, In the Bar […]
A Tamaskan dog prowls on a deserted set adorned with toppled student desks – a “wolf” relishing the eerie atmosphere (and undoubtedly sensing the unease of the audience members who missed the warning sign by the Box Office notifying them of the dog’s non-wolf lineage). Anyone familiar with director Ivo Van Hove’s recent work in […]
I hate plays with fake accents. Unless your name is Oliver Dennis (or you work at the Shaw Festival), your British accent is not as good as you think it is and I’d really rather you just not use it. And a British accent (usually a posh one, sometimes cockney) is the accent most Canadian […]
Part of the mission statement for the Seventeenth Annual Midtown International Theatre Festival is to “offer a safe environment to develop innovative theatre.” Held at the WorkShop Theater’s Main Stage and Jewel Box Theaters, the festival featured over thirty performances. The productions are typically about a half hour, and many even shorter than that, which […]
A research base orbits Pluto. There has been no communication with Earth for three months, far longer than normal. A crew member is hallucinating and time is not as linear as it first appeared to be. Rather than ambitious, Alistair McDowall’s X is a misunderstanding of theatre’s capabilities. Although some Beckett exists—the characters’ defining action […]