Vikki Velenosi and Kasey Dunn are the co-founders of Brick and Mortar, an artist-run company that owns and operates three independent theatre spaces in Toronto- The Box, The Attic, and, their latest addition, The Commons. All year round, those spaces are filled with indie artists mounting new, creative, challenging work. But for 5 days in […]
Bathroom intimacy is a key part of any romantic relationship. Worst opening sentence ever? I stand by it only because Filament Incubator’s production of Becky Tanton’s How to Drown Gracefully is often just as upfront (if more elegant) about its characters’ entwined romantic and physical sufferings, and it sets the whole thing, even in scenes […]
Hedwig and the Angry Inch (Hart House Theatre) The saga of Hart House musicals is full of high highs and low lows as their success fluctuates wildly depending mostly, it seems, on the popularity of their chosen show. They don’t pay their performers so, in order to lure the right talent, they have to offer […]
Aptly timed, this DMT Productions prequel to Waiting for Godot is currently playing at the Theatre Passe Muraille Backspace while Soulpepper’s production of Beckett’s play is starting to wrap up. I have a deep personal affinity for the original: I first read it in high school, I have taught it in a class on existentialism, […]
The social world envisioned by Oscar Wilde in his famous novel is overpopulated with vain and calculating social-climbers. It remains a merciless, appropriately florid thesis on how desire and vanity exist in tandem with artistic creation, almost inevitably corrupting the soul of both the artist and the subject of their art. In this updated adaptation, […]
Heading into this show, I wasn’t convinced I would like it. I haven’t, I will admit, watched many Alfred Hitchcock films, and the play seemed a bit like it might be like an old James Bond film, but an old and vaguely forgotten Roger Moore one. The crowd around me seemed like the kind of […]
The Diana Tapes is about the disclosure of Princess Diana’s recorded confessions of her personal experience as a member of the HRH to journalist Andrew Morton. Morton’s book, “Diana: Her True Story – In Her Own Words,” which came out in 1992 and caused a rift between Diana and the Royals, has just had its […]
Will Eno has been described as a ‘modern Samuel Beckett,’ and after seeing Nightfall Theatrics’ production of Title and Deed currently onstage at the Tarragon Workspace, I can see why. This is a story about nothing and everything at the same time. It is the existential journey of a man who finds himself out of […]