Grimly Handsome is a relatively new play by New York playwright Julia Jarcho. Directed by Jay Turvey, this three hander stars Julia Course, Jeff Irving and Ben Sanders as a series of characters throughout New York City traversing romance, marriage, loneliness, betrayal, and violence. We open with what seems to be isolated farmland, though […]
The fourteenth season of ProArteDanza, on November 1-4 at Fleck Dance Theatre, Harbourfront Centre, offered 3 World Premieres by choreographers Kevin O’Day and Matjash Mrozewski. This season’s offerings are resonate and current, boldly combining dance, text, and theatre with a self-assured confidence that is authentically relatable. Future Perfect Continuous Inspired by Naomi Klein’s book […]
When it comes to boy bands, my Littrell-loving heart instinctively trusts a Brian. So when Backstreet Boys devotee Brian Jansen pitched a sketch comedy dance show about boy bands, I was as psyched as Joey Fatone on Dancing with the Stars (meaning pretty damn psyched). Before he and his heart-stealing comrades take over the 918 […]
On October 28th for one night only, Co-Producers Nicole Strawbridge and Colin Frotten put on Sweeney Todd the Demon of Fleet Street at St. Andrew’s Presbyterian Church in Toronto. For those of you who are not familiar with the story; an evil Judge named Turpin pines for the wife of a London barber named Benjamin […]
Rouvan Silogix is angry about the state of the world, and very understandably so. And what better way to channel that anger than to create a farce about the contemporary political landscape? Silogix’s answer to that question is to create a surrealist vaudeville farce, gloriously entitled Grab ‘Em By the Pussy: Or How To Stop […]
Dual Light is another success for choreographer and artistic director Andrea Nann. In such a wonderful time of exploratory art and experimentation with multi-media, I was honestly ready for a little bit of good ol’ fashioned dance. Nann delivered the insightful, creative, and technical dance I was looking for, but also surprised me with how […]
Described as “A Surrealist Vaudeville Farce”, the fabulously titled “Grab ‘Em By the Pussy” or How to Stop Worrying & Love the Bomb is the troll-baiting, expectation-defying, ground-breaking new work currently taking over the TPM Backspace. We caught up with writer/director Rouvan Silogix to get a sense of what to expect from this second show in the […]
Daniel Pagett’s new play Cloud is about connections both human and technological. The narrative traces two sets of people…