Set in Duluth, Minnesota in winter 1934, Girl from the North Country is not a typical musical. Understated and thoughtful, this Depression-era drama does not conform to what people might expect from a West End and soon to be Broadway hit. Instead of attempting to blow you away, the production quietly pulls at your heart […]
The Coal Mine’s presentation of Knives in Hens is a beautiful rendition of the mid-nineties play written by David Harrower — Director Leora Morris has skillfully and lovingly brought the Scottish work to Toronto in a way that captures the audience well for the 80 minute production. A small farming community’s characters know little more than what […]
There are a few key ways to judge a new artistic director taking over an established company. Some people who aren’t technically wrong but are awfully cynical might look to fundraising ability or at least PR prowess. Artists invariably talk about company leadership and setting the right tone in the rehearsal room, which makes sense. […]
Both the best and worst thing about theatre, and indie theatre especially, is its ephemerality. Productions close so fast that you never have the time you need to tell every person you’ve ever met, and some you haven’t, that they have to see the show you just saw. And in the Toronto independent theatre landscape, […]
David Yazbek & Itamar Moses’ slinky musical adaptation of the 2007 Israeli film The Band’s Visit is one of those artistic oddities that wins incredible acclaim and most people still have never heard of it. Its 2017 Broadway premiere earned 10 Tony Awards, including all the big ones, including Best Musical, but it hasn’t captured […]
The 1978 play Betrayal comes alive through Soulpepper’s production. The cast and crew are immaculate, and the set is designed in an incredibly effective way. Time slides through the cracks in the audience’s fingers, manipulated with slight changes of costume, hairstyle, or the addition of a single prop. Streamlined and sensual, Betrayal brings to light […]
Soulpepper’s summer season consisted mainly of two small-cast one-acts (plus music director Mike Ross’ “Steinbeck Through Song” concert which was, as usual, sublime): Sam Shepard’s Fool for Love, an American tragedy about love, and ‘Art’ (quotation marks included)- a French comedy about friendship. Fool for Love, helmed by reigning Critics’ Pick Award Outstanding Director Frank […]
805-4821 (A) “805-4821 is a trans coming out story made out of other stories: a dialogue from Shakespeare’s Hamlet, a half-remembered swim lesson, and an 80,000 word Facebook correspondence” This is how the promotional material introduces Davis Plett’s work, directed by Gislina Patterson. I added it to my roster expecting a show that could be […]