Pipeline is the perfect work to mark Soulpepper’s return to live theatre. Dominique Morisseau’s exploration of how American public schools set black boys up for failure at best and prison at worst was part of a 2020 program postponed by the pandemic. After two brutally long and tough years, director Weyni Mengesha and this cast […]

Annie Baker is good at making her stories the story. The Flick, a three-hour epic (or dirge, if you prefer) dazzled and bored audiences across North America before taking its talents to Toronto.   After an off-Broadway debut in 2017, Antipodes now prompts audiences at the Coal Mine Theatre to examine the purpose of stories – […]

When you announce you have cancer, nobody quite knows what to say. Veteran Toronto director, writer, and performer Daniel Brooks has heard it all from would-be wellwishers whose missteps become his cautionary tales but the problem runs deeper. It’s Brooks’ problem more than anyone’s – he has a difficult story to tell and perhaps just […]

 

After two years of cancelled, digital, and small-scale events, March 19 & 20 we ventured to the Metro Toronto Convention Centre to, for the first time in so long, spend time engulfed in a crowd to report on an event that felt almost normal.   Below you can find the links to all our coverage […]

 

The awkward reality of the moment is that right now, mere weeks (sometimes days) after many of Toronto’s mainstay artistic institutions finally reopened their doors, ’tis somehow once again not the season to be promoting live in-person experiences. It’s Christmas, we’re all vaccinated (you are vaccinated right? RIGHT?!), and it’s been forever since we’ve been […]

 

(This review will contain reviews for the movie and choose your own adventure version)   Christmas time in Toronto always has several staples, from the Christmas Market in the Distillery District to the utter chaos of Eaton Centre a week before Christmas. One of the long standing traditions has been the Ross Petty Pantomime Christmas […]

The first thing that happens in the 50th Anniversary Tour of Jesus Christ Superstar, aside from those iconic guitar riffs and the exuberant cast storming down the theatre aisles, is Judas stealing the microphone as Jesus prepares to tell his own story. Over the course of a mere 90 minutes, the mic stand that will […]

 

Workman Arts’ Rendezvous with Madness is one of the first festivals back on its feet since the Covid-19 lockdowns. After two years of fear and solitude, the mental health-focused event is an apropos re-beginning as many audience members slowly re-engage with the arts scene outside of their televisions.   RWM this year is serving as […]