There are, or at least have currently been presented, two ways of tackling autism on a London stage, and this probably goes for other mental illnesses as well: a subjective and an objective approach. The subjective integrates symptoms into a play’s form; the objective doesn’t. The Curious Incident of the Dog in the Night-Time is […]
This new adaptation by Matthew Thomas Walker (who also directs) of Aldous Huxley’s dystopian masterpiece written 84 years in the past and set 524 years in the future is big and bold for a company only on its third project. The script is a little bloated, full of draggy exposition that could certainly be shown […]
Originally produced during the Pan Am Games, Tarragon’s remount of this show kicks off its 2016-17 season. A new Canadian play, The Watershed was commissioned as a piece on the theme of ‘water.’ Playwright Annabel Soutar took up the challenge, investigating the topic both literally and figuratively, in order to write a play about what […]
It’s a grind to attend three hours of theatre. But grinds aren’t always bad. Sometimes, the alienation that accompanies “why I am watching this?” can induce some valuable critical distance. There are good questions to be raised about Suzan-Lori Parks’ Father Comes Home from the Wars. In the process of watching it: “why three parts?”, […]
Filament Incubator is presenting 8 plays in 8 months, creating opportunities for young playwrights to get their work on its feet and in front of an audience. The ambition of that is remarkable and, no matter the merit of any particular production in said slate, it’s an overall extremely impressive feat. It therefore pains me […]
A lot of Royal Court’s Upstairs programming is too dry for its own good. Not this. Nathaniel Martello-White’s Torn wears complexity on its sleeve. Angel arranges a circle of seats and then her family into a room, like an AA meeting, and wants to tackle the wrongs in her life. We don’t know […]
Little Night Music All I knew about A Little Night Music going in was “Send in the Clowns”, arguably the crown jewel of Sondheim’s canon. It would have been best to leave it that way. It turns out that Hugh Wheeler’s book has none of the subtle ache or bittersweet poetry of the musical’s standout […]
Taking inspiration from the many music legends who lost their lives at an early age, 27 is a brand new rock musical from debutant Sam Cassidy that, while boasting a decent original score, sadly plods its way through a particularly sub-par book that not even its undoubtedly talented cast can recover into something believable or […]