Ranking: #2 What makes The Admirable Crichton so notable is that it’s the only Shaw Festival production in my top 5 that really fits with the festival’s brand. While not a GB Shaw script, This JM Barrie play enjoys the conventional staging, English accents and Shavian commentary on the class system that proved so ineffective […]
His Greatness at the Factory Theatre is an interesting if not totally engrossing production. Writer Daniel MacIvor also plays “The Assistant” with an excellent blend of subtle heartbreak and perfect dry wit. His longstanding relationship with “The Playwright” (Richard Donat) is well established and his constantly moving, ever-tidying movements are wonderfully specific. Donat plays “The […]
Ranking: #3 I was dreading Topdog/Underdog. I had to read Suzan-Lori Parks’ Fucking A in school and could not have despised it more. I was anticipating an angry, expletive-ridden, crass 2 hours designed to provoke response through discomfort. It’s possible that the script could read that way, but Philip Akin’s production in the Shaw Festival […]
Ranking: #4 There are a few truly stunning productions at the Shaw Festival this year- the top 5 in my rankings all really impressed. One of the most creative, most interesting, most effectively executed productions I’ve seen in quite some time was When the Rain Stops Falling in the Studio Theatre. With a criminally short […]
Ranking: #5 The new musical from Jay Turvey and Paul Sportelli brings something very new to the Shaw, even if the plot is nothing new for musical theatre. Essentially a mashup of Carmen’s tropes and Aida’s plot, Maria Severa tells the story of a young Portugese prostitute (the titular Maria) who falls for a man […]
The rarely-produced Candide is a literary torment to stage; not only does the musical feature an impressive and daunting score, but there is a large ensemble of characters, numerous set changes through magical worlds, and a distinct comedic style that borders on the macabre. I can think of few companies other than the Huntington Theatre […]
Ranking: #6 There are a few recurring themes at Shaw this year; the first is conventional staging, the second is excellent design, the third is strong supporting players, the fourth is obnoxiously long productions and the fifth is, well, Shaw I guess. What I mean by that is strong scripts with fantastically clever dialogue and […]
Ranking: #7 The first thing that stands out about The Shaw Festival’s current production of Cat on a Hot Tin Roof is Sue LePage’s perfect set. Tennessee Williams is notoriously detailed in his stage directions; he describes the feel of the place just as much as the look- the sounds, the smells, the generally […]