If there is something both inherently funny and inherently creepy about puppets, then Tyrone McHansley is the god of all puppets. Or is he the devil? One thing is certain, he is special and so is the play that he is appearing in at the Lucille Lortel Theatre. Robert Askins’ Hand to God is an […]
There’ve been a lot of plays about race in Boston over the past couple of years. We had Lydia Diamond’s Stickfly and Kirsten Greenidge’s Luck of the Irish moving to Broadway and off-Broadway, respectively; last spring’s acclaimed production of Clybourne Park and the powerful The Color Purple at Speakeasy; and a host of race-themed plays […]
Difficult material often makes for the best theatre. With the constant barrage of stories about public shootings throughout the country, you cannot turn on a major news station without confronting the unspeakable terror of hatred and uncertainty. From this despair comes the provocative and timely Bully Dance written by Huntington Playwriting Fellow David Yaldes Greenwood. […]
It’s refreshing to see a show like Spring Awakening get so much play in Boston area theaters. Even ten years ago, our theater scene would never have so accepted a musical so open about adolescent sexuality that uses actual teenagers in overtly-sexualized dramatic scenes. The Company Theatre of Norwell, the one of the few semi-professional […]
I’m surprised that American theater companies so rarely perform the plays of Roland Schimmelpfennig. Schimmelpfennig (I believe it’s pronounced “sha-ba-da-va-da”) is one of Germany’s most popular and acclaimed…
Go see this play. Do it. Buy a ticket right now. People throw around the word “must-see” a lot with new and exciting media, but Speakeasy’s production of Samuel D. Hunter’s latest off-Broadway tour de force, The Whale is something every serious Boston theatergoer should try to see before it closes on April 5. It […]
There are plenty of musicals with deep stories and complex scores that First Act Productions could have chosen for their March production. But Toronto’s had a pretty tough winter; what we needed was a little bit of Guys & Dolls- the most reliable crowd-pleasing musical ever written (playing now until March 22nd at the Papermill Theatre). From […]
Flat Earth Theatre and director Lindsay Eagle (nominated for a 2013 Boston My Theatre Award for her excellent work directing Rocket Man), should be commended for choosing to put on a show that delves experimentally into a fictional dystopia, a world fraught with troubling issues such as the extinction of the print book, a one-sex […]