Shakespeare’s A Midsummer Night’s Dream is a wonderfully accessible play, made for adaptations to different times and places with ease. The Hyperion Shakespeare Company and The Office for the Arts at Harvard presented their own adaptation of William Shakespeare’s A Midsummer Night’s Dream with some talent and some reckless abandon befitting the play’s mastery. The […]
Kenneth Lonergan’s new play, This is Our Youth is a bit of a misnomer – my youth was not even remotely like the drug-fueled, neglectful, and privileged life of Warren Straub (portrayed by Michael Cera) and Dennis Ziegler (portrayed by Kieran Culkin). If Holden Caulfield had grown up on the Upper West Side in the […]
Don Giovanni is one of Wolfgang Amadeus Mozart’s most famous operas, spurring countless productions and re-imaginings in modern culture. Boston University College of Fine Arts’ School of Music Opera Institute and School of Theatre presented their own clever twist, thanks to the inspiring direction of Stage Director Daniel Pelzig and Conductor William Lumpkin. While the […]
I can’t appreciate Cloud 9. Playwright Caryl Churchill wears on my patience whenever I see her work performed (though I like reading her plays), and Cloud 9 proved to be a humorous but grating variation on the same pattern. The Boston Conservatory student-actors achieved mixed results, but, overall, the production felt tedious, lacking some of […]
Team Kat Goes on Retreat Playwright/director Kat Sandler’s latest one-act at the Storefront Theatre is a wackier and more wildly comedic entry into her ever-expanding canon of thoughtful, witty work. The story of four interns sent on a camping retreat to compete for a single job at a vague but powerful company, Retreat is a […]
A few of the many many many reasons I didn’t like this production: – Geraint Wyn Davies is one of the least vulnerable actors I’ve ever seen. He reminds me so much of Henry Breedlove (his Slings & Arrows character) when all I want is for Macbeth to be played by Oliver Dennis (not literally; […]
We are now approaching the end of what I am tempted to call “Shakespeare Season” in Toronto. In addition to Stratford’s nearby productions (this year King Lear, Antony & Cleopatra, King John, and two excellent Midsummers), Canadian Stage served up Titus Andronicus and As You Like It in High Park, the Fringe Festival played host […]
The audience enters the Arsenal Center Black Box, and is instantly greeted with music. Faraz Firoozabadi (percussion), Stephen J. Lamb (guitar), and Jacques Pardo (composer and sound designer), set the mood as we prepare to enter Iraq, the real and reimagined space offered by Amir Al-Azraki in Waiting for Gilgamesh: Scenes from Iraq, directed by […]